In his other character, he was begot of the breath of Tonacateotl, god of our flesh or subsistence,[182-1] or (according to Gomara) was the son of Iztac Mixcoatl, the white cloud serpent, the spirit of the tornado. Messenger of Tlaloc, god of rains, he was figuratively said to sweep the road for him, since in that country violent winds are the precursors of the wet seasons. Wherever he went all manner of singing birds bore him company, emblems of the whistling breezes. When he finally disappeared in the far east, he sent back four trusty youths who had ever shared his fortunes, "incomparably swift and light of foot," with directions to divide the earth between them and rule it till he should return and resume his power. When he would promulgate his decrees, his herald proclaimed them from Tzatzitepec, the hill of shouting, with such a mighty voice that it could be heard a hundred leagues around. The arrows which he shot transfixed great trees, the stones he threw levelled forests, and when he laid his hands on the rocks the mark was indelible. Yet as thus emblematic of the thunder-storm, he possessed in full measure its better attributes. By shaking his sandals he gave fire to men, and peace, plenty, and riches blessed his subjects. Tradition says he built many temples to Mictlanteuctli, the Aztec Pluto, and at the creation of the sun that he slew all the other gods, for the advancing dawn disperses the spectral shapes of night, and yet all its vivifying power does but result in increasing the number doomed to fell before the remorseless stroke of death.[183-1] His symbols were the bird, the serpent, the cross, and the flint, representing the clouds, the lightning, the four winds, and the thunderbolt. Perhaps, as Huemac, the Strong Hand, he was god of the earthquakes. The Zapotecs worshipped such a deity under the image of this member carved from a precious stone,[183-2] calling to mind the "Kab ul," the Working Hand, adored by the Mayas,[183-3] and said to be one of the images of Zamna, their hero god. The human hand, "that divine tool," as it has been called, might well be regarded by the reflective mind as the teacher of the arts and the amulet whose magic power has won for man what vantage he has gained in his long combat with nature and his fellows.