The living image of the naiad descended the irregular steps of the
monument with a flying motion; her movements were easy and ideally
graceful. She was not much taller than a real woman, although the
elegance of her proportions imparted a stamp of exceptional beauty,
which had intimidated me in the statue; but I no longer experienced
aught of this feeling, and my admiration rose to ecstasy. I stretched
out my arms to seize her, for it seemed as if she were about to rush
towards me leaping over a height of from five to six feet which still
separated us.
I was mistaken. She stopped on the edge of the rock and made me a sign
to move back.
I obeyed mechanically and saw her seat herself upon a marble dolphin,
which at once began to roar in a genuine fashion; then suddenly all
these hydraulic voices increased like a tempest and formed a truly
diabolical concert around her.
I began to be somewhat unnerved when a ghostly greenish light, which
seemed but a more brilliant moonbeam burst from I knew not where,
distinctly revealing the features of the living naiad, so like those of
the statue that I had to look twice in order to assure myself that it
had not quitted its rocky chair of state.
Then, no longer seeking to unravel this mystery without any desire to
comprehend it, I became dumbly intoxicated with the supernatural beauty
of this apparition. The effect that it produced upon me was so absolute,
that I never even thought of approaching it, in order to assure myself
of its immateriality, as I had done before when it had appeared in my
room.
And had I entertained such an idea, which I am altogether unconscious of
doing, the fear of causing it to vanish by an audacious curiosity
probably withheld me.
How did it happen that I was not overcome by the desire of verifying the
evidence of my senses? ’Twas in truth the influence of the sublime
naiad, with clear and living eyes, beaming with a fascinating sweetness,
the naiad, with undraped arms, contours of transparent flesh and supple
motions resembling those of childhood. This daughter of Heaven seemed at
the utmost about fifteen years old. The ensemble of her figure expressed
the perfect chastity of youth, while the charm of a mature womanly soul
illuminated her features.
Her peculiar attire was precisely that of the naiad; a robe or floating
tunic, made of some indescribable and marvellous tissue whose soft folds
seemed wet and clinging; an exquisitely wrought diadem, and showers of
pearls were entwined in her magnificent hair, with that mixture of
peculiar luxury and happy caprice which characterizes the taste of the
renaissance; in singular and charming contrast to the altogether simple
garment, and which evinced its richness only in the easy grace of its
arrangement and the minute finish of the jewels, and delicate details of
the coiffure.
Public-domain text, read in full here on John Shaqi.
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