The narrative of an explorer in tropical South AfricaGalton, Francis
History
The narrative of an explorer in tropical South Africa
Galton, Francis
South Africa -- Description and travel
We repaired the circular walls of loose stones that were to form our
shooting-screens. The lower they are the better, generally speaking,
as being less likely to attract attention; but when it can be managed,
a wall about two feet nine inches high is much the most convenient
to shoot over, as a man’s position is not cramped when he kneels down
and fires from behind one of these: they ought to be six or seven feet
across. A hole in the ground is sometimes made instead of a wall; but
generally speaking, the neighbourhood of large watering-places in these
parts is a mass of limestone rock, into which one cannot dig.
It is one of the most strangely exciting positions that a sportsman can
find himself in, to lie behind one of these screens or holes by the side
of a path leading to a watering-place so thronged with game as ’Tounobis.
Herds of gnus glide along the neighbouring paths in almost endless files:
here standing out in bold relief against the sky, there a moving line,
just visible in the deep shades; and all as noiseless as a dream. Now
and then a slight pattering over the stones makes you start; it jars
painfully on the strained ear, and a troop of zebras pass frolicking
by. All at once you observe, twenty or thirty yards off, two huge ears
pricked up high above the brushwood; another few seconds, and a sharp
solid horn indicates the cautious and noiseless approach of the great
rhinoceros. Then the rifle or gun is poked slowly over the wall, which
has before been covered with a plaid, or something soft, to muffle all
grating sounds; and you keep a sharp and anxious look-out through some
cranny in your screen. The beast moves nearer and nearer; you crouch
close up under the wall, lest he should see over it and perceive you.
Nearer, nearer still; yet somehow his shape is indistinct, and perhaps
his position unfavourable to warrant a shot. Another moment, and he is
within ten yards, and walking steadily on. There lies a stone, on which
you had laid your caross and other things, when making ready to enter
your shooting-screen; the beast has come to it, he sniffs the taint of
them, tosses his head up wind, and turns his huge bulk full broadside on
to you. Not a second is to be lost. Bang! and the bullet lies well home
under his shoulder. Then follows a plunge and a rush, and the animal
charges madly about, making wide sweeps to right and left with his huge
horn, as you crouch down still and almost breathless, and with every
nerve on the stretch. He is off; you hear his deep blowing in the calm
night; now his gallop ceases. The occasional rattling of a stone alone
indicates that he is yet a-foot; for a moment all is still, and then a
scarcely audible “sough” informs you that the great beast has sunk to the
ground, and that his pains of death are over.
Public-domain text, read in full here on John Shaqi.
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