The natural history of Aleppo, and parts adjacent : $b Containing a description of the city, and the principal natural productions in its neighbourhood; together with an account of the climate, inhabitants, and diseases; particularly of the plague, with the methods used by the Europeans for their preservation. — John Shaqi
The natural history of Aleppo, and parts adjacent : $b Containing a description of the city, and the principal natural productions in its neighbourhood; together with an account of the climate, inhabitants, and diseases; particularly of the plague, with the methods used by the Europeans for their preservation.Russell, Alexander
History
The natural history of Aleppo, and parts adjacent : $b Containing a description of the city, and the principal natural productions in its neighbourhood; together with an account of the climate, inhabitants, and diseases; particularly of the plague, with the methods used by the Europeans for their preservation.
Russell, Alexander
Aleppo (Syria) -- Early works to 1800; Natural history -- Syria -- Aleppo -- Early works to 1800; Plague -- Syria -- Aleppo -- Early works to 1800
Their amusements within doors are playing at chess, in which they are
very expert, and a fort of backgammon, both borrowed from the _Persians_;
draughts, mankala, tabuduk, and the play of the ring, as they call
it, which is what the great men often amuse themselves with in the
winter-evenings. It consists merely in guessing what coffee-cup, out of
a number that are placed on a large salver, the ring is hid under. They
have several engaged in the play on each side; and the parties that win
have the privilege of blacking the faces of their antagonists, putting
fools caps on their heads, and making them stand before them while they
sing _extempore_ songs in their own praise, and in derision of the
losers. But it is only their servants, or ordinary people, that they
treat in this manner; and some of these, especially if they have any turn
to buffoonry, are always of the party on purpose.
Though some Christians have learned of the _Europeans_ to play for money;
yet these games are only used by the _Turks_ for amusement, and chiefly
to pass the long winter-evenings. Sometimes, ’tis true, they will go so
far as to play for an entertainment.
Dancing is not, as in _Europe_, reckoned an accomplishment for people
of fashion, and is scarce practised, even among the vulgar, but by such
as make a trade of it. Their dexterity does not consist in agility,
but chiefly in the motion of the arms and body, putting themselves in
different attitudes, many of which (particularly of the women) are none
of the most decent. Their manner is not ill described by _Juvenal_[442].
At their festivals they have also wrestlers as a part of their
entertainment. They have still a resemblance to the _athletæ_ of the
ancients, in anointing their naked bodies, having nothing on but a pair
of breeches, and strut and vaunt so much at their entry as seems to
promise great matters; but they make but very sorry figures in their
performance.
I should not omit among their amusements to mention buffoons, who are the
constant attendants at all merry-makings, and without whom their mirth
and conversation would soon languish, or conclude.
The music of the country is of two sorts; one for the field, the other
for the chamber. The first makes part of the retinue of the _bashaws_,
and other great military officers, and is used also in their garrisons.
It consists of a sort of hautboy[443], shorter, but shriller than ours;
trumpets[444], cymbals[445], large drums[446], the upper head of which
is beat upon with a heavy drum-stick, the lower with a small switch. A
_vizir-bashaw_ has nine of these large drums, while a _bashaw of two
tails_ has but eight, the distinction by which the music of one may be
known from that of the other. Besides these, they have small drums[447],
beat after the manner of our kettle-drums. This music at a distance has a
tolerable good effect.
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