The natural history of Aleppo, and parts adjacent : $b Containing a description of the city, and the principal natural productions in its neighbourhood; together with an account of the climate, inhabitants, and diseases; particularly of the plague, with the methods used by the Europeans for their preservation.Russell, Alexander
History
The natural history of Aleppo, and parts adjacent : $b Containing a description of the city, and the principal natural productions in its neighbourhood; together with an account of the climate, inhabitants, and diseases; particularly of the plague, with the methods used by the Europeans for their preservation.
Russell, Alexander
Aleppo (Syria) -- Early works to 1800; Natural history -- Syria -- Aleppo -- Early works to 1800; Plague -- Syria -- Aleppo -- Early works to 1800
Their chamber-music consists of a dulcimer[448], guittar[449], dervises
flute[450], blown in a very particular manner; _Arab_ fiddle[451],
a couple of small drums, and the diff[452], which serves chiefly to
beat time to the voice, the worst of all their music; for they bellow
so hideously, that it spoils what without it would be in some degree
harmonious. This diff is a hoop, (sometimes with pieces of brass fixed in
it to make a jingling) over which a piece of parchment is distended. It
is beat with the fingers, and is the true tympanum of the ancients; as
appears from its figure in several relievos, representing the orgies of
_Bacchus_, and rites of _Cybele_. It is worth observing, that, according
to _Juvenal_, the _Romans_ had this instrument first from hence[453].
They also have a kind of flute, like the ancient _syrinx_; but it is not
much used among them, there being but few that can play upon it.
Besides the above mentioned instruments, they have likewise a sort of
bagpipe, which numbers of idle fellows play upon round the skirts of the
town, making it a pretence to ask a present of such as pass.
[Illustration: _facing page 95._ Pl. XIV
_Miller Sc:_]
Though they understand the different measures in music, and have names
for them; yet they have no method of writing the notes. They learn
entirely by the ear; yet it is observable, that when several persons play
together they keep time very exactly. They have neither bass, nor other
different parts in music, all playing the same.
The print annexed represents a _Turkish_ concert, drawn from the life;
in which care has been taken also to show, through a window, the inner
court-yard of a house, with the little garden, fountain, _&c._ and
through another is seen part of a mosque, with the minaret, from whence
the _imaums_ call the people to prayers. The dress of the performers also
show the different kinds wore by the ordinary people, according to their
sect, _&c._ The first, who beats the diff, represents that of an ordinary
_Turk_; the next a slovenly ordinary Christian; the middle figure is a
Dervise; the fourth is a Christian of a middle rank, playing upon the
_Arab_ fiddle. What is peculiar in his dress, is, that the sash of the
turbant is strip’d with, blue, and his slippers red. The last is an
ordinary fellow, beating the small drums with his fingers, as they often
do, instead of drumsticks. His head-dress is such as is worn by many
_Janizaries_, and commonly by the _Arabgarlees_, a race of _Armenians_,
who attend upon the _Europeans_.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account