The natural history of Aleppo, and parts adjacent : $b Containing a description of the city, and the principal natural productions in its neighbourhood; together with an account of the climate, inhabitants, and diseases; particularly of the plague, with the methods used by the Europeans for their preservation. — John Shaqi
The natural history of Aleppo, and parts adjacent : $b Containing a description of the city, and the principal natural productions in its neighbourhood; together with an account of the climate, inhabitants, and diseases; particularly of the plague, with the methods used by the Europeans for their preservation.Russell, Alexander
History
The natural history of Aleppo, and parts adjacent : $b Containing a description of the city, and the principal natural productions in its neighbourhood; together with an account of the climate, inhabitants, and diseases; particularly of the plague, with the methods used by the Europeans for their preservation.
Russell, Alexander
Aleppo (Syria) -- Early works to 1800; Natural history -- Syria -- Aleppo -- Early works to 1800; Plague -- Syria -- Aleppo -- Early works to 1800
The people of fashion have in the outer court but one or two rooms
below stairs for themselves, the rest are for servants and stabling;
the pavement of this is but rough, as their horses stand there all the
summer, except a few hours in the middle of the day. Above stairs is
a colonade, if not round the whole court, at least fronting the west,
off from which are their rooms and _kiosks_[4]; these latter are a sort
of wooden divans, that project a little way from the other part of the
building, and hang over the street; they are raised about one foot and
an half higher, than the floor of the room, to which they are quite
open, and, by having windows in front and on each side, there is a great
draught of air, which makes them cool in the summer, the advantage
chiefly intended by them. Beyond this court is another, containing the
womens apartments, built much in the same manner that I have described
the other houses; some few of them have a tolerable garden, in which, as
well as in the outer yard, there is generally a tall cypress tree.
The mosques in _Aleppo_ are numerous, and some few of them magnificent;
before each is a square area, in the middle of which, is a fountain for
the appointed ablutions before prayers, and behind some of the larger
mosques there is a little garden.
Besides these open spaces there are many large _khanes_ or (as most
travellers call them) _caravan seraijs_, consisting of a capacious
square, on all sides of which are built on the ground floor a number of
rooms, used occasionally for stables, warehouses, or chambers. Above
stairs a colonade occupies the four sides, to which opens a number
of small rooms, wherein the merchants, as well strangers as natives,
transact most of their business.
The streets are generally narrow, but, however, are well paved, and kept
remarkably clean.
The market places, called here _bazars_, are properly, long, covered,
narrow streets, on each side of which are a number of small shops just
sufficient to hold the tradesman (and perhaps one or two more) with
all the commodities he deals in about him, the buyer being obliged to
stand without. Each separate branch of business has a particular _bazar_
allotted them, and these, as well as the streets, are all locked up an
hour and an half after sunset, and many of them earlier, which is a great
security from house-breakers. It deserves to be remembered, how odd
soever it may appear, that though their doors are mostly cased with iron,
yet their locks are made of wood.
In the suburbs, to the eastward, are their slaughter-houses, in a very
airy place, with a large open field before them. The tanners have a
_khane_, where they work, in the south west part of the town near the
river.
To the southward, just without the walls in the suburbs, they burn lime;
and a little way further is a small village, where they make ropes and
catgut, which last manufacture is, at some seasons, extremely offensive.
Public-domain text, read in full here on John Shaqi.
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