It is, you see, the love-philtre that performs this miracle. It
interests--it is real to us--because every human being knows what it
is to act, irrationally, under the stress of some passion or other. We
are drawn along irresistibly: we commit the predestined follies or the
predestined heroisms: the other side of our being acts in contravention
of all our rules of conduct or of intellect. Here, in Tristan, we see
such madness justified with a concrete substance, a herb, a root. We
see a vision of a state of mind in which morality no longer exists:
we are given a respite, a rest: an interval in which no standard of
conduct oppresses us. It is an idea of an appeal more universal than
any other in which the tired imagination of humanity takes refuge.
The thought that somewhere in the world there should be something that
I could give to you, or you to me, that would leave us free to do
what we wish without the drag of the thought of what we owe, to each
other, to the world! And after all, what greater gift could one give to
another? It would be the essential freedom. For assuredly, the philtre
could do no more than put it in a man’s power to do what he would do if
he were let loose. He would not bring out more than he had in him: but
he would fully and finally express himself.
Something unexpected has changed the current of my thoughts. Nothing
can change their complexion, which is governed not by what others do
but by the action which I must face presently. And I don’t know why I
should use the word unexpected, unless because at the moment I was very
far from expecting that sort of perplexity. The correct thing to say
would be that something natural has happened.
Perfectly natural. Asceticism is the last thing that one could expect
from the Burdens. Alexander Burden, the father, was an exuberant
millionaire, in no vulgar way, of course; he was exuberant with
restraint, not for show, with a magnificence which was for private
satisfaction mainly. I am talking here of the ascetic temperament which
is based on renunciation, not of mere simplicity of tastes, which
is simply scorn for certain orders of sensations. There have been
millionaires who have lived simply. There have been millionaires who
have lived sordidly--but miserliness is one of the supreme forms of
sensualism.
Poor Burden had a magnificent physique. The reserved abilities of
generations of impoverished Burdens, starved for want of opportunities,
matured in his immense success--and all their starved appetites too.
But all the reserve quality of obscure Burdens has been exhausted in
him. There was nothing to come to his son--who at most could have been
a great match and is to-day looked upon in that light, I suppose, by
the relations of his future wife. I don’t know in what light that young
man looks upon himself. His time of trial is coming.
Public-domain text, read in full here on John Shaqi.
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