What optimism! But it did not last long. I seem to remember a moment
when I burst into earnest entreaties that all these people should be
thrown overboard without more ado. This, I believe, _is_ the real
nature of the crime. Overboard. The neatness and dispatch with which it
is done in Chapter VIII was wholly the act of my Collaborator’s good
nature in the face of my panic.
After signing these few prefatory words I will pass the pen to him in
the hope that he may be moved to contradict me on every point of fact,
impression, and appreciation. I said “the hope.” Yes, eager hope. For
it would be delightful to catch the echo of the desperate, earnest and
funny quarrels which enlivened those old days. The pity of it is that
there comes a time when all the fun of one’s life must be looked for in
the past.
J. C.
II
No, I find nothing to contradict, for, the existence of this story
having been recalled to my mind by a friend, the details of its birth
and its attendant circumstances remain for me completely forgotten, a
dark, blind-spot on the brain. I cannot remember the houses in which
the writing took place, the view from the windows, the pen, the table
cloth. At a given point in my life I forgot, literally, all the books
I had ever written; but, if nowadays I re-read one of them, though I
possess next to none and have re-read few, nearly all the phrases come
back startlingly to my memory and I see glimpses of Kent, of Sussex, of
Carcassonne--of New York, even; and fragments of furniture, mirrors,
who knows what? So that, if I didn’t happen to retain, almost by a
miracle, for me, of retention, the marked up copy of “Romance” from
which was made the analysis lately published in a certain periodical,
I am certain that I could have identified the phrases exactly as they
there stand. Looking at the book now I can hear our voices as we read
one passage or another aloud for purposes of correction. Moreover
I could say: This passage was written in Kent and hammered over in
Sussex; this, written in Sussex and worked on in Kent; or this again
was written in the downstairs café and hammered in the sitting room on
the first-floor, of an hotel that faces the sea on the Belgian coast.
Public-domain text, read in full here on John Shaqi.
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