This, of course, is due to the excellent Edward’s lack of an
instinctive sympathy. The poet, with a truer vision, will in the same
case, be able to face his Miss Averies’ saying: “You have deceived
me!” with a different assurance. Supposing the deflection to have been
of the momentary kind he will be able to deny with a good conscience
since he will be aware of himself and his feelings. He will at least
be able to put the case in its just light. Or, if the deflection be
really temperamental, really permanent, he will be unable--it being
his business to look at the deeper verities--to lie himself out of the
matter. He will break, strictly and sharply. Or, if he do not, it may
be taken as a sign that his Miss Averies is still of value to him--that
she, in fact, is still the woman that it is his desire to have for his
companion. This is true, of course, only in the large sense, since
obviously there are poets whose reverence for position, the interest of
children or the feelings of their friends and relatives, may outweigh
their hatred of a false position. These, however, are poets in the
sense that they write verse: I am speaking of those who live the
poet’s life; to such, a false position is too intolerable to be long
maintained.
But this again is only one of innumerable side-issues: let me return
to my main contention that a dinner of herbs with a dangerous man is
better than having to consume the flesh of stalled oxen with Edward
Burden. Perhaps that is only a way of saying that you would have done
better to entrust yourself to me than to---- (But no, your husband
is a better man than Edward Burden. He has at least had the courage
to revert to his passion. I went this afternoon to your chemists and
formally notified them that if they supplied him with more than the
exactly prescribed quantity of that stuff, I, as holding your power of
attorney, should do all that the law allows me to do against them.)
Even to the dullest of men, marrying is for the most part an
imaginative act. I mean marrying as a step in life sanctioned by law,
custom and that general consent of mankind which is the hall-mark of
every irrational institution. By irrational I do not mean wrong or
stupid. Marriage is august by the magnitude of the issues it involves,
balancing peace and strife on the fine point of a natural impulse
refined by the need of a tangible ideal. I am not speaking here of
mere domestic peace or strife which for most people that count are a
question of manners and a mode of life. And I am thinking of the peace
mostly--the peace of the soul which yearns for some sort of certitude
in this earth, the peace of the heart which yearns for conquest, the
peace of the senses that dreads deception, the peace of the imaginative
faculty which in its restless quest of a high place of rest is spurred
on by these great desires and that great fear.
Public-domain text, read in full here on John Shaqi.
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