Produced by David Widger THE WORKS OF WILLIAM CARLETON. VOLUME III. [Illustration: Frontispiece] [Illustration: Titlepage] TRAITS AND STORIES OF THE IRISH PEASANTRY CONTENTS: Ned M'Keown. The Three Tasks. Shane Fadh's Wedding. Larry M'Farland's Wake. The Battle Of The Factions. 1881. TRAITS AND STORIES OF THE IRISH PEASANTRY. INTRODUCTION. It will naturally be expected, upon a new issue of works which may be said to treat exclusively of a people who form such an important and interesting portion of the empire as the Irish peasantry do, that the author should endeavor to prepare the minds of his readers--especially those of the English and Scotch--for understanding more clearly their general character, habits of thought, and modes of feeling, as they exist and are depicted in the subsequent volume. This is a task which the author undertakes more for the sake of his country than himself; and he rejoices that the demand for the present edition puts it in his power to aid in removing many absurd prejudices which have existed for time immemorial against his countrymen. It is well known that the character of an Irishman has been hitherto uniformly associated with the idea of something unusually ridiculous, and that scarcely anything in the shape of language was supposed to proceed from his lips, but an absurd congeries of brogue and blunder. The habit of looking upon him in a ludicrous light has been so strongly impressed upon the English mind, that no opportunity has ever been omitted of throwing him into an attitude of gross and overcharged caricature, from which you might as correctly estimate his intellectual strength and moral proportions, as you would the size of a man from his evening shadow. From the immortal bard of Avon down to the writers of the present day, neither play nor farce has ever been presented to Englishmen, in which, when an irishman is introduced, he is not drawn as a broad, grotesque blunderer, every sentence he speaks involving a bull, and every act the result of headlong folly, or cool but unstudied effrontery. I do not remember an instance in which he acts upon the stage any other part than that of the buffoon of the piece uttering language which, wherever it may have been found, was at all events never heard in Ireland, unless upon the boards of a theatre. As for the Captain O'Cutters, O'Blunders, and Dennis Bulgrudderies, of the English stage, they never had existence except in the imagination of those who were as ignorant of the Irish people as they were of their language and feelings. Even Sheridan himself was forced to pander to this erroneous estimate and distorted conception of our character; for, after all, Sir Lucius O'Trigger was his Irishman but not Ireland's Irishman. I know that several of my readers may remind me of Sir Boyle Roche, whose bulls have become not only notorious, but proverbial. It is well known now,