The Æneid of Virgil translated into English proseVirgil
General
The Æneid of Virgil translated into English prose
Virgil
Aeneas (Legendary character); Epic poetry, Latin -- Translations into English; Legends -- Rome
“Meanwhile the city in its various quarters is being convulsed
with agony—and ever more and more, though my
father Anchises’ palace was retired in the privacy of embosoming
trees, the sounds deepen, and the alarm of 15
battle swells. I start up from sleep, mount the sloping
roof, and stand intently listening—even as, when among
standing corn a spark falls with a fierce south wind to
fan it, or the impetuous stream of a mountain torrent
sweeps the fields, sweeps the joyous crops and the bullocks’ 20
toil, and drives the woods headlong before it, in
perplexed amazement a shepherd takes in the crash from
a rock’s tall summit. Then, indeed, all doubt was over,
and the wiles of the Danaans stood confessed. Already
Deiphobus’ palace has fallen with a mighty overthrow 25
before the mastering fire-god—already his neighbour
Ucalegon is in flames—the expanse of the Sigean sea
shines again with the blaze. Up rises at once the shouting
of men and the braying of trumpets. To arms I rush
in frenzy.—not that good cause is shown for arms—but 30
to muster a troop for fight, and run to the citadel with
my comrades is my first burning impulse—madness and
rage drive my mind headlong, and I think how glorious to
die with arms in my hand.
“But see! Panthus, escaped from an Achæan volley, 35
Panthus, Othrys’ son, priest of Phœbus in the citadel,
comes dragging along with his own hand the vanquished
gods of his worship and his young grandchild, and making
distractedly for my door. ‘How goes the day, Panthus?
What hold have we of the citadel?’ The words
were scarcely uttered when with a groan he replies, ‘It is
come, the last day, the inevitable hour—on Dardan land
no more Trojans; no more of Ilion, and the great renown 5
of the sons of Teucer; Jove, in his cruelty, has carried all
over to Argos; the town is on fire, and the Danaans are
its masters. There, planted high in the heart of the city,
the horse is pouring out armed men, and Sinon is flinging
about fire in the insolence of conquest; some are 10
crowding into the unfolded gates—thousands, many as
ever came from huge Mycenæ: some are blocking up the
narrow streets, with weapons pointed at all comers; the
sharp steel with its gleaming blade stands drawn, ready
for slaughter; hardly, even on the threshold, the sentinels 15
of the gates are attempting resistance, in a struggle where
the powers of war are blind.’
Public-domain text, read in full here on John Shaqi.
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