“Like a great water-flood, that, tombling low From the high mountaines, threates to overflow With suddein fury all the fertile playne, And the sad husbandmans long hope doth throw Adown the streame, and all his vowes make vayne, Nor bounds nor banks his headlong ruine may sustayne.” —_F. Q._, II., xi., 18; cf. _Æn._ II., 304 ff. Bacon calls Virgil “the chastest poet and royalest that to the memory of man is known.” “Milton,” writes Dryden, “has acknowledged to me that Spenser was his original.” But beside this indirect influence, and that through the Italian school, Virgil’s direct influence on Milton is attested by many an allusion. Dryden, Cowper, with his “sweet Maro’s matchless strain,” Wordsworth, Matthew Arnold, with his “sweet, tender Virgil,” freely acknowledge the debt they owe our poet. Dryden and Morris translated the _Æneid_ into verse. Tennyson, “the most Virgilian of modern poets,” gives the following tribute, written at the request of the Mantuans for the nineteenth centenary of Virgil’s death:— “Roman Virgil, thou that singest Ilion’s lofty temples robed in fire, Ilion falling, Rome arising, wars, and filial faith, and Dido’s pyre, Landscape lover, lord of language more than he that sang the Works and Days, All the chosen coin of fancy flashing out from many a golden phrase, Thou that singest wheat and woodland, tilth and vineyard, hive and horse and herd, All the charm of all the Muses often flowering in a lonely word, Poet of the happy Tityrus piping underneath his beechen bowers, Poet of the poet-satyr whom the laughing shepherds bound with flowers, Chanter of the Pollio, glorying in the blissful years again to be, Summers of the snakeless meadow, unlaborious earth and oarless sea, Thou that seest Universal Nature moved by Universal Mind, Thou majestic in thy sadness at the doubtful doom of human kind, Light among the vanished ages, star that gildest yet this phantom shore, Golden branch amid the shadows, kings and realms that pass to rise no more, Now thy Forum roars no longer, fallen every purple Cæsar’s dome— Tho’ thine ocean-roll of rhythm sound forever of Imperial Rome— Now the Rome of slaves hath perished, and the Rome of freemen holds her place, I, from out the Northern Island, sundered once from all the human race, I salute thee, Mantovano, I that loved thee since my day began, Wielder of the stateliest measure ever moulded by the lips of man.”