English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
The girl could not but be aware that the conversation she interrupted
had reference to herself. Her father gazed fixedly at her; Sidney
glanced towards her with self-consciousness, and at once averted his
eyes; Mrs. Hewett examined her with apprehension. Having carelessly
closed the door with a push, she placed her umbrella in the corner and
began to unbutton her gloves. Her attitude was one of affected
unconcern; she held her head stiffly, and let her eyes wander to the
farther end of the room. The expression of her face was cold,
preoccupied; she bit her lower lip so that the under part of it
protruded.
‘Where have you been, Clara?’ her father asked.
She did not answer immediately, but finished drawing off her gloves and
rolled them up by turning one over the other. Then she said
indifferently:
‘I’ve been to see Mrs. Tubbs.’
‘And who gave you leave?’ asked Hewett with irritation.
‘I don’t see that I needed any leave. I knew she was coming here to
speak to you or mother, so I went, after work, to ask what you’d said.’
She was not above the middle stature of women, but her slimness and
erectness, and the kind of costume she wore made her seem tall as she
stood in this low-ceiled room. Her features were of very uncommon type,
at once sensually attractive and bearing the stamp of intellectual
vigour. The profile was cold, subtle, original; in full face, her high
cheekbones and the heavy, almost horizontal line of her eyebrows were
the points that first drew attention, conveying an idea of force of
character. The eyes themselves were hazel-coloured, and, whatever her
mood, preserved a singular pathos of expression, a look as of
self-pity, of unconscious appeal against some injustice. In contrast
with this her lips were defiant, insolent, unscrupulous; a shadow of
the naivete of childhood still lingered upon them, but, though you
divined the earlier pout of the spoilt girl, you felt that it must have
foretold this danger-signal in the mature woman. Such cast of
countenance could belong only to one who intensified in her personality
an inheritance of revolt; who, combining the temper of an ambitious
woman with the forces of a man’s brain, had early learnt that the world
was not her friend nor the world’s law.
Her clothing made but poor protection against the rigours of a London
winter. Its peculiarity (bearing in mind her position) was the lack of
any pretended elegance. A close-fitting, short jacket of plain cloth
made evident the grace of her bust; beneath was a brown dress with one
row of kilting. She wore a hat of brown felt, the crown rising from
back to front, the narrow brim closely turned up all round. The high
collar of the jacket alone sheltered her neck. Her gloves, though worn,
were obviously of good kid; her boots—strangest thing of all in a
work-girl’s daily attire—were both strong and shapely. This simplicity
seemed a declaration that she could not afford genuine luxuries and
scorned to deck herself with shams.
Public-domain text, read in full here on John Shaqi.
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