To the equatorial telescopes photographic cameras are attached instead
of the eye-pieces, in the hope that the corona may be made to impress
itself on the plate instead of on the eye. The eye is an admirable
instrument itself, no doubt; but behind it is a brain, perhaps
overwrought with excitement, and responding too completely to the
nervous tension which most of us experience when those critical moments
are passing so rapidly. The camera can see far less of the corona than
the man, _but it has no nerves_, and what it sets down we may rely on.
At such a time each observer has some particular task assigned to
him, on which, if wise, he has drilled himself for weeks beforehand,
so that no hesitation or doubt may arise in the moment of action; and
his attention is expected to be devoted to this duty alone, which may
keep him from noting any of the features which make the occasion so
impressive as a spectacle. Most of my own particular work was again of
a kind which would not interest the reader.
Apart from this, I can recall little but the sort of pain of
expectation, as the moment approached, till within a minute before
totality the hum of voices around ceased, and an utter and most
impressive silence succeeded, broken only by a low “Ah!” from the group
without the camp, when the moment came. I remember that the clouds,
which had hung over the sun while the moon was first advancing on its
body, cleared away before the instant of totality, so that the last
thing I saw was a range of mountains to the eastward still bright
in the light; then, the next moment, the shadow rushed overhead and
blotted out the distant hills, almost before I could turn my face to
the instrument before me.
[Illustration: FIG. 36.--ECLIPSE OF 1857, DRAWING BY LIAIS. (ROYAL
ASTRONOMICAL SOCIETY’S MEMOIRS.)]
The corona appeared to me a different thing from what it did the year
before. It was apparently confined to a pearly light of a roughly
quadrangular shape, close to the limb of the sun, broken by dark rifts
(one of which was a conspicuous object); while within, and close to
the limb, was what looked like a mountain rising from the hidden sun,
of the color of the richest tint we should see in a rose-leaf held up
against the light, while others were visible of an orange-scarlet.
After a short scrutiny I turned to my task of analyzing the nature of
the white light.
Public-domain text, read in full here on John Shaqi.
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