I have tried to obtain and present here a faint tracing of the
evolution of the modern spirit, as it strikes a contemporary. In the
subsequent chapters we shall be able to trace it yet more distinctly,
at different stages, and in various phases. Diderot, eclipsed once, is
seen now, as, in a manifold sense which may be claimed for no other
man, the initiator of our own day in all its varied manifestations,
and, above all, in its practical scientific spirit. In Heine we see
the most characteristic, if not the finest, artist of the second
quarter of our century, the melodious embodiment of all its discords,
the impersonation of a transition which we have all passed through, and
which draws us to him with cords of a peculiarly personal tenderness.
Whitman represents, for the first time since Christianity swept over
the world, the re-integration, in a sane and whole-hearted form, of
the instincts of the entire man, and therefore he has a significance
which we can scarcely over-estimate. Goethe had done something of this
in a more artistic and intellectual shape; it is from no lack of love
or reverence for Goethe that I have chosen the American, a democrat
rather than an aristocrat, the very roughness of whose grasp of life
serves but to reveal the genuine instinct of the modern Greek. All that
is finest in aristocracy we see revealed in Ibsen, a keen and sombre
figure that reminds one perpetually of Dante--the same curt and awful
contempt for lies and for shams, the same vision of a Heaven beyond.
Into such Kingdoms of Heaven it needs but a child to enter, and when
I see this man with that little diamond wedge of sincerity and the
mighty Thor’s hammer of his art, I feel as though no mountain of error
could resist the new spirit that he represents. In Tolstoi we see the
manifestation of another great modern force; no keenness or clearness
here indeed in the interpretation of life, though such a marvellous
power of presentation; yet a massive elemental force, groping slowly
and incoherently towards the light, so interesting to us because we
seem to be conscious of the heart of a whole nation, the great nation
of the future, towards which all eyes are turned.
Public-domain text, read in full here on John Shaqi.
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