These letters to Mlle. Voland form the most characteristic and
intimately personal record of himself that Diderot left. He was forty
years old when the correspondence began, and it lasted for more than
twenty years. Of Sophie Voland almost nothing is known; we only catch
glimpses of her as a woman of wide sympathies and decided intelligence,
neither very young nor pretty, and wearing spectacles; she lived with
her family, who were clearly more orthodox and conventional than
herself, and must not, as Diderot frequently hints, see everything that
he writes. Of the depth and reality of his affection for her there
is no doubt; his editors have discussed the question as to whether
this affection was throughout of the nature of friendship only, or
whether, according to the phrase of Sainte-Beuve, an hour’s passion had
served as the golden key to the most precious and intimate secrets of
friendship. This may be as it will; Diderot had found some one in whose
presence he could show himself, without reserve or precaution, on every
side of his manifold nature, and he was always tenderly grateful to the
woman who had procured him this sweetest of pleasures. “My Sophie is
both man and woman,” he wrote to her, “when she pleases;” as such he
always addressed her, pouring out recklessly all that happened to be
in his head, narrating the incidents of the day, telling what he was
thinking about or projecting, repeating current scandal or sometimes
not quite decent story, flashing instinctively into wise or witty
reflection; always with a swift, almost unconscious pen, forgetting now
and again what he has already said. It is only in these letters, where
he is, as he says, “rendering an account of all the moments of a life
that belongs to you,” that we realize the personal charm, the exuberant
strength and at the same time the weakness of the man who in the midst
of his manifold energies bursts out: “A delicious repose, a sweet book
to read, a walk in some open and solitary spot, a conversation in which
one discloses all one’s heart, a strong emotion that brings the tears
to one’s eyes and makes the heart beat faster, whether it comes of some
tale of generous action or of a sentiment of tenderness, of health,
of gaiety, of liberty, of indolence--there is the true happiness, nor
shall I ever know any other.”
Public-domain text, read in full here on John Shaqi.
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