The New WardenRitchie, David G. (David George), Mrs.
General
The New Warden
Ritchie, David G. (David George), Mrs.
English fiction; Love stories; Mate selection -- Fiction; University of Oxford -- Fiction
In this Oxford where the black gown has been laid aside and young men
hurry to and fro in the dress of the battle-field--in this Oxford no man
walked at times more heavily, feeling the grief that cannot be made
articulate, than did the Warden of King's College as he went about his
work, a lonely man, without wife or child and with poignant memories of
the very blossom of young manhood plucked from his hand and gone for
ever.
And of the men who passed under his college gates and through the
ivy-clad quadrangles, most were strangers--coming and going--learning
the arts of war--busy under orders, and the few, a poor remnant of
academic youth--foreigners or weaklings. And he, the Warden himself,
felt himself almost a stranger--for into his life had surged new
thoughts, anxious fears and ambitious hopes--for England, the England of
the years to come--an England rising up from her desolation and her
mourning and striving to become greater, more splendid and more
spiritual than she had been before.
It was a late October afternoon in 1916 and the last rays of autumn
sunshine fell through the drawing-room windows of the Warden's lodgings.
These rays of sunshine lit up a notable portrait over the stone
fireplace. The portrait was of a Warden of the eighteenth century; a
fine fleshy face it was, full of the splendid noisy paganism of his
time. You can stand where you will in the room, but you cannot escape
the sardonic stare that comes from his relentless, wide-open, luminous
eyes. He seems as if he challenged you to stop and listen to the secret
of his double life--the life of a scholar and divine of easy morals.
Words seemed actually upon his lips, thoughts glowing in his eyes--and
yet--there is silence.
There was only one person in the room, a tall vigorous woman, still
handsome in spite of middle age, and she was looking up at the portrait
with her hands clasped behind her back. She was not thinking of the
portrait--her thoughts were too intent on something else. Her thoughts
indeed had nothing to do with the past--they were about the future, the
future of the new Warden, Dr. Middleton, the future of this only brother
of hers whom she loved more than anyone in the world--except her own
husband; a brother more than ten years younger than herself, to whom she
had been a mother till she married and who remained in her eyes a sort
of son, all the more precious to her because children had been denied
her.
She had come at her brother's call to arrange his new home for him. She
had arranged everything with sober economy, because Oxford was mourning.
She had retained all that she found endurable of the late Warden's. And
now she turned round and looked on her handiwork.
Public-domain text, read in full here on John Shaqi.
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