The New Woman: An Original Comedy, in Four ActsGrundy, Sydney
General
The New Woman: An Original Comedy, in Four Acts
Grundy, Sydney
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama; Women -- Great Britain -- Drama
Does it mean anything? That is the sort of jargon Gerald was full of,
when I saw him last. But he'll get over it. Intellectual measles.
Oxford's a fine place, but no mental drainage.
SYLVESTER.
I can form no opinion. I hadn't the advantage of a university
training.
COLONEL.
I had. I was rusticated. We Cazenoves always were--till Gerald's time.
But he'll redeem himself. We Cazenoves have always been men, except
one. That's my sister, Caroline; and, by Jove, she's the next best
thing--a woman.
[_Rising, in his enthusiasm--the antimacassar slips on to the seat._
SYLVESTER.
A real woman.
COLONEL.
Caroline's a heart of gold----
SYLVESTER.
Yes, so you said.
COLONEL.
Did I? I beg your pardon. [_Sits on the antimacassar, instantly
springs up, and flings it into a corner. Points to that covering
SYLVESTER'S chair._] Throw that thing away!
SYLVESTER.
All right. I'm used to 'em. We grow 'em at our house. [_Looks round._]
I might be sitting in my wife's boudoir! Same furniture, same flowers,
same photographs--hallo, that's rather a pretty woman over there!
[_Crosses._
COLONEL.
A pretty woman, where? [_Crosses._] No, not my style!
SYLVESTER.
Ha! ha!
COLONEL.
What are you laughing at?
SYLVESTER.
My wife! I didn't recognize her.
[_Goes about examining photographs._
COLONEL.
Ten thousand pardons! I had no idea----
SYLVESTER.
Bless me, my wife again!
COLONEL [_looking_].
That's better. That's much better.
SYLVESTER.
It's an older photograph. Agnes was quite a woman when I married her,
but she grows more and more ethereal. Philosophy doesn't seem very
nourishing.
COLONEL.
She's a philosopher?
SYLVESTER.
Haven't you read her book? "Aspirations after a Higher Morality."
COLONEL.
The old morality's high enough for me.
SYLVESTER.
I've tried to read it, but I didn't succeed. However, I've cut the
leaves and dropped cigar ash on the final chapter. Why, here she is
again!
COLONEL.
_Three_ photographs? And you're not jealous?
SYLVESTER.
My dear Colonel, who am I to be jealous?
COLONEL.
Her husband, aren't you?
SYLVESTER.
Yes, I am Mrs. Sylvester's husband. I belong to my wife, but my wife
doesn't belong to me. She is the property of the public. Directly I
saw her photograph in a shop-window I realized the situation. People
tell me I've a wife to be proud of; but they're wrong. Mrs. Sylvester
is not my wife; I am her husband.
COLONEL [_taking up a book_].
This is what comes of educating women. We have created a Frankenstein.
"Man, the Betrayer--A Study of the Sexes--By Enid Bethune."
SYLVESTER.
Oh, I know her. She comes to our house.
COLONEL.
And has a man betrayed her?
SYLVESTER.
Never. Not likely to.
COLONEL.
That's what's the matter, perhaps?
SYLVESTER.
Her theory is, that boys ought to be girls, and young men should be
maids. [_COLONEL throws down the book._] That's how she'd equalize the
sexes.
COLONEL.
Pshaw! [_Takes up another book._] "Ye Foolish Virgins!--A
Remonstrance--by Victoria Vivash."
Public-domain text, read in full here on John Shaqi.
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