The New Woman: An Original Comedy, in Four ActsGrundy, Sydney
General
The New Woman: An Original Comedy, in Four Acts
Grundy, Sydney
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama; Women -- Great Britain -- Drama
SYLVESTER.
Another soul! She's also for equality. Her theory is, that girls
should be boys, and maids should be young men. Goes in for latchkeys
and that sort of thing.
COLONEL [_throws down the book_].
Bah! [_Takes up a third._] "Naked and Unashamed--A Few Plain Facts and
Figures--by Mary Bevan, M.D." Who on earth's she?
SYLVESTER.
One of the plain figures. _She_ comes to our house, too.
COLONEL [_reads_].
"The Physiology of the Sexes!" Oh, this eternal babble of the sexes!
[_Throws book down._] Why can't a woman be content to be a woman? What
does she want to make a beastly man of herself for?
SYLVESTER.
But my wife isn't a woman.
COLONEL.
None of them are, my boy. A woman, who _is_ a woman, doesn't want to
be anything else. These people are a sex of their own, Sylvester. They
have invented a new gender. And to think my nephew's one of them!
[_Strides up and down, seizes another antimacassar and flings it into
another corner._
SYLVESTER.
Oh, he's young. Don't despair!
COLONEL.
I don't despair! Do you suppose this folly can continue? Do you
imagine that these puffed-up women will not soon burst of their own
vanity? Then, the reaction! then will come _our_ turn! Mark my words,
Sylvester, there'll be a boom in men!
[_Rubbing his hands._
_Enter GERALD, door in flat._
GERALD.
Good afternoon. I'm sorry to have kept you waiting.
[_Shakes hands with COLONEL._
COLONEL.
Here you are, at last.
GERALD [_shaking hands with SYLVESTER_].
How's Mrs. Sylvester?
SYLVESTER.
I was just going to ask you. You see more of her than I do.
GERALD.
We are collaborating.
COLONEL.
In the Higher Morality?
SYLVESTER.
How are you getting on?
GERALD.
Oh, we are only on the threshold. I finished the first chapter about
daybreak.
COLONEL.
That's how you waste the precious hours of night? Gad, sir, when I was
your age----
GERALD.
That was thirty years ago. Things have changed since then.
COLONEL.
And they haven't improved.
GERALD.
That is a question.
COLONEL.
Oh, everything's a question nowadays! Nothing is sacred to a young man
fresh from Oxford. Existence is a problem to be investigated; in my
youth, it was a life to be lived; and, I thank Heaven, I lived it. Ah,
the nights _I_ had!
SYLVESTER.
Would it be impertinent to inquire upon what subject my wife is
engaged?
GERALD.
Our subject is the Ethics of Marriage.
SYLVESTER.
Of my marriage?
GERALD.
Of marriage in the abstract.
COLONEL.
As if people married for ethics! There is no such thing, sir. There
are no ethics in marriage.
GERALD.
That is the conclusion at which we have arrived.
COLONEL.
You are only on the threshold, and yet you have arrived at a
conclusion?
GERALD.
So much is obvious. It is a conclusion to which literature and the
higher culture inevitably tend. The awakened conscience of woman is
already alive to it.
COLONEL.
Public-domain text, read in full here on John Shaqi.
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