The New Woman: An Original Comedy, in Four ActsGrundy, Sydney
General
The New Woman: An Original Comedy, in Four Acts
Grundy, Sydney
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama; Women -- Great Britain -- Drama
Would it not be more useful if she knew something of his future?
ENID.
Women have futures; men have only pasts.
DOCTOR [_still in SYLVESTER'S group_].
It stands to reason--pure reason--there ought not to be one law for
women and another for men.
SYLVESTER.
You mean, that they ought both to be for women?
DOCTOR.
I mean, that the institution of marriage is in urgent need of
reconsideration.
SYLVESTER.
The sooner, the better.
DOCTOR.
I am glad you think so.
SYLVESTER.
When the institution of marriage is reconsidered, man will have
another chance.
[_Exit, R._
LADY WARGRAVE [_who has joined PERCY'S group_].
What do I think of the New Woman? There is no New Woman; she is as old
as Molière.
[_Stands listening, amused._
CHORUS.
Molière!
VICTORIA.
A pagan!
PERCY.
A frank pagan. For pure art we must go to Athens.
CHORUS.
Athens!
PERCY.
Or the Music Halls. Have you seen Trixy Blinko?
CHORUS.
Trixy--oh, charming--sweet!
PERCY.
In her alone I find the true Greek spirit. What were the prevailing
characteristics of Hellenic culture? [_A sudden silence._] Breadth and
centrality, blitheness and repose. All these I find in Trixy.
CHORUS.
Little dear!
LADY WARGRAVE.
Somewhat _risquée,_ isn't she?
PERCY.
To the suburban mind.
[_LADY WARGRAVE bows and turns off._
_SERVANT enters, L._
SERVANT.
Signor Labinski has arrived, your ladyship.
[_Exit, L. LADY WARGRAVE speaks to one or two of the Guests, and the
company disperse, most of them going off, L., but a few, C., and
others into the conservatory. During this general movement, the music
off, is heard louder. COLONEL is left with DR. MARY._
COLONEL.
Nonsense, my dear Doctor---- The fact's just this. The modern woman is
prostrated by the discovery of her own superiority; and she is now
engaged in one of those hopeless enterprises which _we_ have
regretfully abandoned. She is endeavouring to understand _herself._ I
offer her my respectful sympathy.
[_Bows and sits, C._
DOCTOR [_sits by him_].
The truth amounts to this: the one mitigating circumstance about the
existence of Man is, that he occasionally co-operates in the creation
of a Woman.
COLONEL.
His proudest privilege! The mystery to me is, that you ladies haven't
found it out before.
_Re-enter ENID, C._
DOCTOR.
Yes, but you shirk the question!
[_COLONEL is fanning himself, helplessly._
ENID [_aside_].
A man in distress! I must help him! [_Advancing sweetly._] What were
you saying, Doctor?
[_Sits on the other side of COLONEL._
COLONEL [_aside_].
Bethune! the best of 'em!
DOCTOR.
You know, from your own experience, that marriage is not a necessity.
COLONEL.
No, it's a luxury--an expensive luxury.
ENID.
Oh, surely that depends upon the wife.
DOCTOR.
It is she who has to associate with him.
ENID.
And considering what his past has been----
COLONEL.
Suppose it hasn't!
DOCTOR.
But it always has!
ENID.
I should be sorry to think that.
DOCTOR.
Take the Colonel's own case.
COLONEL [_alarmed_].
Public-domain text, read in full here on John Shaqi.
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