The New Woman: An Original Comedy, in Four ActsGrundy, Sydney
General
The New Woman: An Original Comedy, in Four Acts
Grundy, Sydney
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama; Women -- Great Britain -- Drama
Doctor!
DOCTOR.
Do you deny that you have had a past?
COLONEL.
Oh, a few trifling peccadilloes!
ENID.
Then you must never marry.
COLONEL.
Am I to have no chance of reformation?
ENID.
It is your own fault.
DOCTOR.
Entirely.
COLONEL.
One moment, my dear ladies! Excuse me pointing out, that, in the last
resort, there must always be a female accomplice!
ENID.
Poor, tempted creature!
COLONEL.
_Tempted_ by a _man!_
DOCTOR.
We all have our weak moments.
[_Sighs._
ENID.
All of us!
[_Sighs. As the pair sit with their eyes cast down, silent, COLONEL
looks from one to the other in dismay, then steals off, R._
COLONEL [_at door_].
Getting dangerous!
[_Exit, R. When they look up, each with a languorous glance, they find
themselves languishing at one another; both rise._
ENID [_putting her arm round DOCTOR'S waist_].
My dear, we are missing the music!
[_Exeunt, L._
_Re-enter MRS. SYLVESTER and GERALD, C. Movement of other Guests
across stage, during music._
MRS. SYLVESTER.
Where have you been? I have seen nothing of you. What have you been
doing?
GERALD.
Thinking.
MRS. SYLVESTER [_jealously_].
Of whom?
GERALD.
Of Margery.
[_Movement of MRS. SYLVESTER._
MRS. SYLVESTER.
Has she said anything?
GERALD.
No, not a word.
MRS. SYLVESTER.
Of course, she heard?
GERALD.
What did I say? What did I do? What must she think of me? I can't bear
this suspense. For the last fortnight, she's been another woman. So
grave--so thoughtful--so unlike herself. There is no laugh to grate
upon me now. What would I give to bring it back again?
MRS. SYLVESTER.
Is it she only who has changed?
GERALD.
Ever since I saw that figure on the ground, I can see nothing else.
And it is I who brought it to the dust--I, who had sworn to cherish
it. Yes, you are right; I too am different; I see things from a
different point of view. And when I think of Margery's young life, so
full of hope and joy--Margery, who never asked to be my wife--Margery,
whom I compelled to marry me--with all the joy crushed out of her--I
feel too much ashamed even to ask forgiveness. And as I watch her move
about the house--silent and sorrowful--I ask myself, how much did
Margery give up for me? I took her from the station of life in which
she was born, and in which she was happy. I set her in another and a
strange one. Was mine the only sacrifice? How much of friendship and
of old association did she resign for my sake? My life continued as it
was before--I had my old friends and my old pursuits. What had she?
Nothing--but my love. And I took it away from her. Because she made a
few mistakes, and a few people laughed--a few more didn't call--and I
mistook a light heart for an empty head. What do all these things
matter? what is a man worth who sets such things above a love like
hers?
MRS. SYLVESTER.
This is pure pity, Gerald.
GERALD.
Pity for myself.
MRS. SYLVESTER.
She was no wife for you. She could be no companion.
GERALD.
Public-domain text, read in full here on John Shaqi.
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