The truth of the matter was that Turkish nationalism was evolving in a direction which could only mean heightened antagonism between the Turkish element on the one side and the non-Turkish elements, Christian or Moslem, on the other. Turkish nationalism had, in fact, now reached the second or "racial" stage. Passing the bounds of the limited, mainly territorial, idea connoted by the term "Ottomanism," it had embraced the far-flung and essentially racial concepts known as "Pan-Turkism" and "Pan-Turanism." These wider developments we shall consider later on in this chapter. Before so doing let us examine the beginnings of nationalism's "first stage" in other portions of the Moslem world. Shortly after the Ottoman Turks showed signs of a nationalistic awakening, kindred symptoms began to appear among the Arabs. As in all self-conscious nationalist movements, it was largely a protest _against_ some other group. In the case of the Arabs this protest was naturally directed against their Turkish rulers. We have already seen how Desert Arabia (the Nejd) had always maintained its freedom, and we have also seen how those Arab lands like Syria, Mesopotamia, and the Hedjaz which fell under Turkish control nevertheless continued to feel an ineradicable repugnance at seeing themselves, Islam's "Chosen People," beneath the yoke of a folk which, in Arab eyes, were mere upstart barbarians. Despite a thousand years of Turkish domination the two races never got on well together, their racial temperaments being too incompatible for really cordial relations. The profound temperamental incompatibility of Turk and Arab has been well summarized by a French writer. Says Victor Berard: "Such are the two languages and such the two peoples: in the latitude of Rome and in the latitude of Algiers, the Turk of Adrianople, like the Turk of Adalia, remains a man of the north and of the extreme north; in all climates the Arab remains a man of the south and of the extreme south. To the Arab's suppleness, mobility, imagination, artistic feeling, democratic tendencies, and anarchic individualism, the Turk opposes his slowness, gravity, sense of discipline and regularity, innate militarism. The Turkish master has always felt disdain for the 'artistic canaille,' whose pose, gesticulations, and indiscipline, shock him profoundly. On their side, the Arabs see in the Turk only a blockhead; in his placidity and taciturnity only stupidity and ignorance; in his respect for law only slavishness; and in his love of material well-being only gross bestiality. Especially do the Arabs jeer at the Turk's artistic incapacity: after having gone to school to the Chinese, Persians, Arabs, and Greeks, the Turk remains, in Arab eyes, just a big booby of barrack and barnyard."[139]