“_Salve, spes fidei, lumen ecclesiæ_,” he will say; “here’s towards you, my buck. I knows the tap. Sherrick’s Marsala bottled three months after date, at two hundred and forty-six shillings the dozen.” “Indeed, indeed it’s not” (and now we are coming to an idea of the skeleton in poor Honeyman’s closet—not that this huge handsome jolly Fred Bayham is the skeleton, far from it. Mr. Frederick weighs fourteen stone). “Indeed, indeed it isn’t, Fred, I’m sure,” sighs the other. “You exaggerate, indeed you do. The wine is not dear, not by any means so expensive as you say.” “How much a glass, think you?” says Fred, filling another bumper. “A half-crown, think ye?—a half-crown, Honeyman? By cock and pye, it is not worth a bender.” He says this in the manner of the most celebrated tragedian of the day. He can imitate any actor, tragic or comic; any known Parliamentary orator or clergyman; any saw, cock, cloop of a cork wrenched from a bottle and guggling of wine into the decanter afterwards, bee buzzing, little boy up a chimney, etc. He imitates people being ill on board a steam-packet so well that he makes you die of laughing: his uncle the Bishop could not resist this comic exhibition, and gave Fred a cheque for a comfortable sum of money; and Fred, getting cash for the cheque at the Cave of Harmony, imitated his uncle the Bishop and his Chaplain, winding up with his Lordship and Chaplain being unwell at sea—the Chaplain and Bishop quite natural and distinct. “How much does a glass of this sack cost thee, Charley?” resumes Fred, after this parenthesis. “You say it is not dear. Charles Honeyman, you had, even from your youth up, a villainous habit. And I perfectly well remember, sir, in boyhood’s breezy hour, when I was the delight of his school, that you used to tell lies to your venerable father. You did, Charles. Excuse the frankness of an early friend, it’s my belief you’d rather lie than not. Hm”—he looks at the cards in the chimney-glass “Invitations to dinner, proffers of muffins. Do lend me your sermon. Oh, you old impostor! you hoary old Ananias! I say, Charley, why haven’t you picked out some nice girl for yours truly? One with lauds and beeves, with rents and consols, mark you? I have no money, ’tis true, but then I don’t owe as much as you. I am a handsomer man than you are. Look at this chest” (he slaps it), “these limbs; they are manly, sir, manly.” “For Heaven’s sake, Bayham,” cries Mr. Honeyman, white with terror; “if anybody were to come——” “What did I say anon, sir? that I was manly, ay, manly. Let any ruffian, save a bailiff, come and meet the doughty arm of Frederick Bayham.” “Oh, Lord, Lord, here’s somebody coming into the room!” cries Charles, sinking back on the sofa, as the door opens. “Ha! dost thou come with murderous intent?” and he now advances in an approved offensive attitude. “Caitiff, come on, come on!” and he walks off with a tragic laugh, crying, “Ha, ha, ha, ’tis but the slavey!”