The Night Side of LondonRitchie, J. Ewing (James Ewing)
History
The Night Side of London
Ritchie, J. Ewing (James Ewing)
London (England) -- Social life and customs -- 19th century
The man seated by her side is in love with her. It may be for her love
he has given up mother, sister, betrothed, home, his fair name, his
prospects in life, his hopes of heaven; and she no more heeds his
passionate vows than does the rock the murmur of the waves at its feet;
and already her wanton eye glances round the room for other victims to
sacrifice to her vanity and pride. Oh, the deceit and craft and hardness
of women such as she! And yet on account of such in distant
village-homes there is sadness, and the mother and sister deny themselves
many a luxury, and grayhaired fathers mourn over their lost and
loved—their Benjamins—born and nurtured to come to such an end. Perhaps
at the next table the picture is reversed; that woman is beautiful, and
her face has a smile, and there is a flush upon her cheek, and the wine
has driven from her heart for a while bitter memories; but she is not
happy, though loud be her laugh; and if she dared to sit and think of the
hour when she fell, and of the mire and dirt along which she has crawled,
of what she is now in her rustling silks, and what she was in her peasant
dress then—eyes full of grief, and dim with tears, would look into her
own; and out of that gilded room, and away from all the song and laughter
and wine, would she not rush home to die? Yet if she now sells herself
to pay to-morrow’s baker’s bill, is she to be trod on by the high-born
beauty that goes up to God’s altar with one for whom she has no love, for
an establishment that will make her bridesmaids yellow with well-bred
jealousy? But we are all gay here. Is not the room light and cheerful?
Is not the whole aspect all mirth-inspiring? Does not dull care flee the
flowing bowl? Jolly fellows are sitting and telling each other tales
which you would be sorry your sister should hear, and which no mother
would believe would be ever heard by son of hers without a manly protest.
Women are laughing and drinking as if theirs were not lives of shame.
Sated men about town languidly smoke, and the eye of the gloomy refugee
sparkles, and his heart beats quicker, as he hears the song of his
father-land. The hours hasten on—the company depart—the wanton beauty,
flushed with conquest, rides off in the Hansom, or it may be in her
private brougham, to her luxurious rooms; while her sister, shivering in
the cold night, begs us for two-pence with which to purchase a bed of
straw. Poor forlorn one! in another year thou wilt lie down in another
bed, only to wake up when the last trump shall sound!
DR JOHNSON’S TAVERN.
Leigh Hunt, Barry Cornwall, and the _Times_ are all eloquent in the
praise of alcohol. It lifts us above this dull earth, it fires our
genius, it gives to us the large utterances of the gods. Barry Cornwall
tells us—
“Bad are the times
And bad the rhymes
That scorn old wine.”
Leigh Hunt translates “Bacchus in Tuscany,” and sanctions such lines as
the following—
Public-domain text, read in full here on John Shaqi.
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