The Night-Side of Nature; Or, Ghosts and Ghost-SeersCrowe, Catherine
Religion
The Night-Side of Nature; Or, Ghosts and Ghost-Seers
Crowe, Catherine
Ghosts; Parapsychology
Where the transition from one state to another is complete, memory is
entirely lost; but there are cases in which the change, being either
gradual or modified, the recollections of one life are carried more or
less into the other. We know this to be the case with magnetic sleepers,
as it is with ordinary dreamers; and most persons have met with
instances of the dream of one night being continued in the next.
Treviranus mentions the case of a student who regularly began to talk
the moment he fell asleep, the subject of his discourse being a dream,
which he always took up at the exact point at which he had left it the
previous morning. Of this dream he had never the slightest recollection
in his waking state. A daughter of Sir George Mackenzie, who died at an
early age, was endowed with a remarkable genius for music, and was an
accomplished organist. This young lady dreamed, during an illness, that
she was at a party, where she had heard a new piece of music, which made
so great an impression on her by its novelty and beauty, that, on
awaking, she besought her attendants to bring her some paper, that she
might write it down before she had forgotten it—an indulgence which,
apprehensive of excitement, her medical attendant unfortunately forbade;
for, apart from the additional psychological interest that would have
been attached to the fact, the effects of compliance, judging from what
ensued, would probably have been soothing rather than otherwise. About
ten days afterward, she had a second dream, wherein she again found
herself at a party, where she descried on the desk of a pianoforte, in a
corner of the room, an open book, in which, with astonished delight, she
recognised the same piece of music, which she immediately proceeded to
play, and then awoke. The piece was not of a short or fugitive
character, but in the style of an overture. The question, of course,
remains, as to whether she was composing the music in her sleep, or, by
an act of clairvoyance, was perceiving some that actually existed.
Either is possible, for, although she might have been incapable of
composing so elaborate a piece in her waking state, there are many
instances on record of persons performing intellectual feats in dreams,
to which they were unequal when awake. A very eminent person assured me
that he had once composed some lines in his sleep (I think it was a
sonnet) which far exceeded any of his waking performances of that
description.
Public-domain text, read in full here on John Shaqi.
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