The Non-Christian Cross: An Enquiry into the Origin and History of the Symbol Eventually Adopted as That of Our ReligionParsons, John Denham
Religion
The Non-Christian Cross: An Enquiry into the Origin and History of the Symbol Eventually Adopted as That of Our Religion
Parsons, John Denham
Crosses
The Bishop of Caesarea then goes on to relate that Constantine selected
fifty men of his bodyguard, the most distinguished for piety, valour,
and strength, whose sole duty it was to defend this famous standard;
and that, of the elect fifty, those who fled were always slain, and
those who stood their ground were always miraculously preserved.[40]
One would imagine from all this that there was only one labarum. Many
different kinds are, however, represented upon the coins of
Constantine; as also almost every variety of ordinary cross, except,
perhaps, such as might conceivably have been a representation of an
instrument of execution, like that which has since come into vogue
among us.
Eusebius also tells us that Constantine caused to be erected in front
of his palace a lofty tablet, on which was painted a representation of
himself with the "salutary sign" over his head and a dragon or serpent
under his feet.[41]
He also informs us that inside the palace and in the principal
apartment, on a vast tablet in the ceiling, Constantine caused "the
symbol of our Saviour's passion to be fixed, composed of a variety of
precious stones inwrought with gold."[42]
Which of all the "salutary" signs that appear upon the coins of
Constantine these particular crosses were, we do not know; but it is,
at any rate, obviously unlikely that a worshipper of Apollo who refused
to enter the Christian Church till he was dying, and on his coins
always attributed his victories to the Sun-God, elevated either as a
representation of an instrument of execution.
As to the alleged finding at Jerusalem, by Helena the mother of
Constantine, of three stakes with transverse bars attached, all of
which were ancient instruments of execution and one of which was shown
by the occurrence of a miracle to have been a cross to which Jesus was
affixed three centuries before, it is clear that this is a fairy tale.
The story cannot be traced further back than to St. Cyril of Jerusalem
about A.C. 350; and Eusebius, who gives an account of Helena's visit to
Jerusalem, does not mention any such occurrence as that in question; a
sure sign that it was an invention of later date.
The Christian Church, however, in a weak moment vouched for the truth
of this ridiculous story; and while what was suffered to remain in
Jerusalem of the true cross became the treasure of that city and a
trophy captured by its foes but afterwards secured from them and once
more placed in its holiest shrine, what was broken up into relics for
the faithful throughout Christendom multiplied into a thousand
fragments; one of which forms the centre of the Vatican Cross, and such
few others of which as survive would not if examined, 'tis said, even
prove to be all of the same kind of wood, or even limited to the two
kinds for the presence of which a supposed cross-bar of another kind of
timber might be held accountable.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account