Butler, Samuel, 1835-1902 -- Notebooks, sketchbooks, etc.
Transcribed from the 1912 A. C. Fifield edition by David Price, email
ccx074@pglaf.org
[Picture: Photograph of Samuel Butler]
The Note-Books of
Samuel Butler
Author of “Erewhon”
* * * * *
Selections arranged and edited by
Henry Festing Jones
* * * * *
With photogravure portrait by Emery Walker from a
photograph taken by Alfred Cathie in 1898
* * * * *
London
A. C. Fifield, 13 Clifford’s Inn, E.C.
1912
* * * * *
WILLIAM BRENDON AND SON, LTD., PRINTERS, PLYMOUTH
_Preface_
EARLY in his life Samuel Butler began to carry a note-book and to write
down in it anything he wanted to remember; it might be something he heard
some one say, more commonly it was something he said himself. In one of
these notes he gives a reason for making them:
“One’s thoughts fly so fast that one must shoot them; it is no use trying
to put salt on their tails.”
So he bagged as many as he could hit and preserved them, re-written on
loose sheets of paper which constituted a sort of museum stored with the
wise, beautiful, and strange creatures that were continually winging
their way across the field of his vision. As he became a more expert
marksman his collection increased and his museum grew so crowded that he
wanted a catalogue. In 1874 he started an index, and this led to his
reconsidering the notes, destroying those that he remembered having used
in his published books and re-writing the remainder. The re-writing
shortened some but it lengthened others and suggested so many new ones
that the index was soon of little use and there seemed to be no finality
about it (“Making Notes,” pp. 100–1 post). In 1891 he attached the
problem afresh and made it a rule to spend an hour every morning
re-editing his notes and keeping his index up to date. At his death, in
1902, he left five bound volumes, with the contents dated and indexed,
about 225 pages of closely written sermon paper to each volume, and more
than enough unbound and unindexed sheets to made a sixth volume of equal
size.
Public-domain text, read in full here on John Shaqi.
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