The Oak Shade, or, Records of a Village Literary Association
General
The Oak Shade, or, Records of a Village Literary Association
American literature -- 19th century
every principle, the sacrifice of every virtue that happened to come
in contact with them; and thus he pursued his daily course, still
adding to his store as he lost of his manhood. How very ridiculous it
is, thought Peter in his dream, that men will grasp and grasp without
stopping to ask a question, and thereby only increase the certainty
of being eventually grasped themselves, by most unwelcome clutches,
without being allowed the time to answer any.
Turning from this wretched specimen of humanity, Peter recognised
another who was no less busy, and who seemed as ambitious as Phæton
or Icarus, determined to set the world in a blaze, or what appeared
more likely to happen, break his own neck in his aspiring flights. He
knew of no medium by which to be controlled, and would even have found
pleasure in the reputation of being a fool; but, unfortunately, Hobbes
spoke truth when he said, that “without learning it is impossible for
any man to be either excellently wise or excellently foolish.” Herein
he was deficient, and the “number of common fools far exceeding that of
wise men,” as a German author observes, they were rendered so general
and were so frequently encountered that even this prospect of securing
celebrity promised him nothing. Moved by his “wild distemper” he forgot
the realities by which he was surrounded, and in his impetuosity to
climb up the crooked ladder of distinction, he was hurried to the most
extravagant excesses. Erostratus, to obtain renown, fired the temple
of Diana, but the Ephesians, to bury his memory in eternal oblivion,
prohibited the mention of his name under the penalty of death. This
individual, if not yet driven to such extremities to gratify his
passion, could nevertheless foresee, in the satiric ridicule certain to
follow his mad endeavors, sufficient cause to “go and hang himself out
of sheer mortification.” Such, thought Peter, not unfrequently, is the
melancholy end of the zealot, when his zeal triumphs over his judgment
and dethrones his reason.
Public-domain text, read in full here on John Shaqi.
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