The terms were that he should have the disposal of all her work for
three years on the regular commission basis. Helen agreed in a voice
that sounded hollow in her own ears.
"If there were not a prospect of war----" He looked again at the
painting. "Well, even if there is going to be war I'll buy these two
top drawings and the painting for a thousand francs. Check now. Do
you agree?"
Then M. Vailliant permitted himself to smile without rubbing his chin;
and he kept on smiling as he wrapped up the painting and the charcoals.
"I think we'll make them go," he said. "If there isn't war I'll come
down and get the others for the show and we'll have a talk together,
young woman, about the future. If there is war"--he gave his shoulders
a Gallic shrug. "I go to join the colours. Who knows? There is only
France, then."
Leaving behind a contract and a check and a young woman still and
wide-eyed, he rode away. Not until he was out of the grounds did he
permit himself a long-drawn breath of satisfaction, as he leaned back
on the cushions and lighted a cigarette, this cold trader in art.
"My emotion got away from me again!" he said. "I'll never be a real
dealer if I can't control it. Why, if you discovered a Rembrandt you
oughtn't to let on! It didn't matter with that girl, though. Nice
chateau. Mother seemed well-to-do, but how eager the girl was for the
thousand francs! One never knows. Probably oughtn't to have mentioned
etching. Better for her to stick to charcoals and make a vogue. My
enthusiasm again! Splotches of colour, as she says--not enough. But I
think there is more to come. As for the other's painting--faint stuff,
without soul; teacher-taught-me stuff--pouf! But if Mlle. Helen only
had her sister's beauty I'd have a dry point of her for the exhibition,
introduce her about--surely would be a go. But no beautiful woman can
ever paint. Everybody admires her so much as a subjective work of art
that she can never improve in her objective art. Why should she? One
good thing that Mlle. Helen is so plain--no danger of her ever
marrying. She's suffered, that's it--that's the quality you must have!
And the likeness in voice between those two girls, except when she was
laughing or became emotional. Then she was rather attractive. The
fire in her, her talent, shone out of her eyes and made you forget how
plain she is. She wouldn't be so plain, either, if it weren't for the
nose. Some enemy wished that nose on her! Well, I made her happy.
Think of that, you hard-headed Parisian, you brought triumph for that
girl!"
Public-domain text, read in full here on John Shaqi.
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