English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
Many things had slowly and silently concurred to make that singular
pre-eminence of the Elizabethan literature possible. First of all was
the growth of a national consciousness, made aware of itself and more
cumulatively operative by the existence and safer accessibility of a
national capital, to serve it both as head and heart. The want of such
a focus of intellectual, political, and material activity has had more
to do with the backwardness and provincialism of our own literature
than is generally taken into account. My friend Mr. Hosea Biglow
ventured to affirm twenty odd years ago that we had at last arrived
at this national consciousness through the convulsion of our civil
war,--a convulsion so violent as might well convince the members that
they formed part of a common body. But I make bold to doubt whether
that consciousness will ever be more than fitful and imperfect, whether
it will ever, except in some moment of supreme crisis, pour itself
into and reënforce the individual consciousness in a way to make our
literature feel itself of age and its own master, till we shall have
got a common head as well as a common body. It is not the size of a
city that gives it this stimulating and expanding quality, but the fact
that it sums up in itself and gathers all the moral and intellectual
forces of the country in a single focus. London is still the metropolis
of the British as Paris of the French race. We admit this readily
enough as regards Australia or Canada, but we willingly overlook it
as regards ourselves. Washington is growing more national and more
habitable every year, but it will never be a capital till every kind of
culture is attainable there on as good terms as elsewhere. Why not on
better than elsewhere? We are rich enough. Bismarck’s first care has
been the Museums of Berlin. For a fiftieth part of the money Congress
seems willing to waste in demoralizing the country, we might have had
the Hamilton books and the far more precious Ashburnham manuscripts.
Perhaps what formerly gave Boston its admitted literary supremacy was
the fact that fifty years ago it was more truly a capital than any
other American city. Edinburgh once held a similar position, with
similar results. And yet how narrow Boston was! How scant a pasture
it offered to the imagination! I have often mused on the dreary fate
of the great painter who perished slowly of inanition over yonder in
Cambridgeport, he who had known Coleridge and Lamb and Wordsworth, and
who, if ever any,
“With immortal wine
Should have been bathed and swum in more heart’s ease
Than there are waters in the Sestian seas.”
Public-domain text, read in full here on John Shaqi.
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