English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
The pity of it! That unfinished Belshazzar of his was a bitter sarcasm
on our self-conceit. Among _us_, it was unfinishable. Whatever place
can draw together the greatest amount and greatest variety of intellect
and character, the most abundant elements of civilization, performs the
best function of a university. London was such a centre in the days
of Queen Elizabeth. And think what a school the Mermaid Tavern must
have been! The verses which Beaumont addressed to Ben Jonson from the
country point to this:--
“What things have we seen
Done at the Mermaid! heard words that have been
So nimble and so full of subtle flame
As if that every one from whence they came
Had meant to put his whole wit in a jest,
And had resolved to live a fool the rest
Of his dull life; then when there hath been thrown
Wit able enough to justify the town
For three days past, wit that might warrant be
For the whole city to talk foolishly
Till that were cancelled; and, when that was gone,
We left an air behind us which alone
Was able to make the two next companies
Right witty; though but downright fools, more wise.”
This air, which Beaumont says they left behind them, they carried with
them, too. It was the atmosphere of culture, the open air of it, which
loses much of its bracing and stimulating virtue in solitude and the
silent society of books. And what discussions can we not fancy there,
of language, of diction, of style, of ancients and moderns, of grammar
even, for our speech was still at school, and with license of vagrant
truancy for the gathering of wild flowers and the finding of whole
nests full of singing birds! Here was indeed a new World of Words, as
Florio called his dictionary. And the face-to-face criticism, frank,
friendly, and with chance of reply, how fruitful it must have been!
It was here, doubtless, that Jonson found fault with that verse of
Shakespeare’s,--
“Cæsar did never wrong but with just cause,”
which is no longer to be found in the play of “Julius Cæsar.” Perhaps
Heminge and Condell left it out, for Shakespeare could have justified
himself with the hook-nosed fellow of Rome’s favorite Greek quotation,
that nothing justified crime but the winning or keeping of supreme
power. Never could London, before or since, gather such an academy of
genius. It must have been a marvellous whetstone of the wits, and spur
to generous emulation.
Public-domain text, read in full here on John Shaqi.
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