Many of Shakespeare’s contemporary poets must have had every advantage that he had in practical experience of the stage, and all of them had probably as familiar an intercourse with the theatre as he. But what a difference between their manner of constructing a play and his! In all his dramatic works his skill in this is more or less apparent. In the best of them it is unrivalled. From the first scene of them he seems to have beheld as from a tower the end of all. In “Romeo and Juliet,” for example, he had his story before him, and he follows it closely enough; but how naturally one scene is linked to the next, and one event leads to another! If this play were meant to illustrate anything, it would seem to be that our lives were ruled by chance. Yet there is nothing left to chance in the action of the play, which advances with the unvacillating foot of destiny. And the characters are made to subordinate themselves to the interests of the play as to something in which they have all a common concern. With the greater part of the secondary dramatists, the characters seem like unpractised people trying to walk the deck of a ship in rough weather, who start for everywhere to bring up anywhere, and are hustled against each other in the most inconvenient way. It is only when the plot is very simple and straightforward that there is any chance of smooth water and of things going on without falling foul of each other. Was it only that Shakespeare, in choosing his themes, had a keener perception of the dramatic possibilities of a story? This is very likely, and it is certain that he preferred to take a story ready to his hand rather than invent one. All the good stories, indeed, seem to have invented themselves in the most obliging manner somewhere in the morning of the world, and to have been camp-followers when the famous march of mind set out from the farthest East. But where he invented his plot, as in the “Midsummer Night’s Dream” and the “Tempest,” he is careful to have it as little complicated with needless incident as possible.