The Old Inns of Old England, Volume 1 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own CountryHarper, Charles G. (Charles George)
History
The Old Inns of Old England, Volume 1 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own Country
Harper, Charles G. (Charles George)
England -- Social life and customs; Hotels -- England
Of all this quasi-home life which belonged to the old inn of the past, the
hotel of the present has not a trace. For certain forms of luxury the
modern hotel is hard to beat. Thick carpets deaden the footsteps of
stragglers through the corridors, and your boots, invariably kicked into
infinities by midnight guests, do not--as they do in the older houses--fly
noisily along the bare boards. The rooms are lighted with electric light,
but usually set so high as to be useless for all purposes of reading or
working. In the drawing-room are luxurious chairs of all shapes and sizes;
in the reading-room papers of all colours, to suit here the red-hot
Radical and there the cooler Conservative. The billiard-room attracts the
men after dinner as--if in the country--the tennis-ground or the
golf-links had attracted them through the day. The telephone does
everything you want. Carriages, theatres, quotations, races, a doctor if
you are ill, a motor-car if you are well--nothing within the range of
human wants that can be ordered and not chosen comes amiss to the
telephone and its manipulators. All the rough edges of life are smoothed
down to satin softness. All the friction is taken away. A modern hotel is
as the isle of Calypso or the Garden of Armida, where all you have to do
is to make known your wants and pay the bill.
But it has not one single strain of Home in it. Home is the place where
the out-of-date lingers, and where modern conveniences that add to the
complexity and the worry of life have no corner. At the modern hotel you
are a document in a pigeon-hole--a number, not a person--an accident, not
substantive. The chambermaid does not wait on you, but on the room. You
get up, breakfast, dine, according to the times fixed by the management.
You cannot have your bath before a certain hour, and the bacon is not
frizzled until nine o’clock. Luncheon is probably elastic because it is
cold, and potatoes can be kept hot without difficulty. Dinner is, of
course, fixed, and you take it in masses together: or so took it, for in
late years, especially in the first hotels of London, a revulsion of
feeling has led to the long tables being abolished, and small ones
installed, where, almost privately amid the throng, you and your little
party may dine. As a rule the waiters are Swiss and the meat is foreign,
the cook is a Frenchman and called a _chef_; and the materials are
inferior. The vegetables are tinned, and oysters, lobsters, salmon, and
hare in May follow suit. The sauces are all exactly the same in one hotel
as in another, and much margarine enters into their composition. Electric
bells emphasise the monotonous ordering of the whole concern, where as
little character is expressed in the ring as in the number it indicates;
and speaking-tubes sound in the corridors, like domestic fog-horns or
railway whistles, calling the chambermaids or waiters of such-and-such a
floor to listen to their orders from below. Wherever you go you find
Public-domain text, read in full here on John Shaqi.
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