The Old Inns of Old England, Volume 2 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own CountryHarper, Charles G. (Charles George)
History
The Old Inns of Old England, Volume 2 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own Country
Harper, Charles G. (Charles George)
England -- Social life and customs; Hotels -- England
And, upon the whole, one thing only was wanting--viz., a throne,
for the completion of my _apotheosis_.
“It might be seven p.m. when first I entered upon my kingdom. About three
hours later I rose from my chair, and with considerable interest looked
out into the night. For nearly two hours I had heard fierce winds arising;
and the whole atmosphere had by this time become one vast laboratory of
hostile movements in all directions. Such a chaos, such a distracting
wilderness of dim sights, and of those awful ‘sounds that live in
darkness’ (Wordsworth’s _Excursion_), never had I consciously
witnessed.... Long before midnight the household (with the exception of a
solitary waiter) had retired to rest. Two hours, at least, were left to
me, after twelve o’clock had struck, for heart-shaking reflections, and
the local circumstances around me deepened and intensified these
reflections, impressed upon them solemnity and terror, sometimes even
horror....
“The unusual dimensions of the rooms, especially their towering height,
brought up continually and obstinately, through natural links of
associated feelings or images, the mighty vision of London waiting me,
afar off. An altitude of nineteen or twenty feet showed itself unavoidably
upon an exaggerated scale in some of the smaller side-rooms--meant
probably for cards or for refreshments. This single feature of the
rooms--their unusual altitude, and the echoing hollowness which had become
the exponent of that altitude--this one terrific feature (for terrific it
was in its effect), together with the crowding and evanescent images of
the flying feet that so often had spread gladness through these halls, on
the wings of youth and hope, at seasons when every room rang with
music--all this, rising in tumultuous vision, whilst the dead hours of the
night were stealing along, all around me--household and town--sleeping,
and whilst against the windows more and more the storm was raving, and to
all appearance endlessly growing, threw me into the deadliest condition of
nervous emotion under contradictory forces, high over which predominated
horror recoiling from that unfathomed abyss in London into which I was now
so wilfully precipitating myself.”
Public-domain text, read in full here on John Shaqi.
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