The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of TieckTieck, Ludwig
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The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck
Tieck, Ludwig
German fiction -- Translations into English
"I only half understand you," answered Edward: "you are fighting
against your own feelings, you are wilfully putting yourself on the
rack. I am not arguing now against your promise, since you have
already given it to that man: but why do you cling to this image of
life, that harasses and tortures you? Why not open your mind to those
joyous feelings, to those sunny thoughts, which lie just as near, nay
nearer?"
"As you please," said the old man,--"for you, but not for me. Day
after day has taught me that very few men really live. Most of them
are in a state of ceaseless dissipation: nay what they call thought
and reflexion is itself the very same thing, a mere attempt to raise a
mist around the nature and inborn feelings of their hearts, and to
keep themselves from discerning them. And arrogance starts up, the
consciousness of their dignity and strength goads and spurs them on,
till they rave with ungovernable pride. This too I have known in my
youth, and outlived it. Then I loved, as I deemed. How clear and
rosy-hued, how bright and smiling the world lay before me! My heart
too was as it were bathed in pure ether, blue, boundless, with sweet
hope, like morning clouds, floating and scattering freshness through
it. And the primary stock of this love, what is it? Silliness, animal
passion, which intertwines itself with our seemingly tender feelings,
which tricks itself out with blossoms, and then eats canker-like into
them, to make them too shed their leaves, to trample that, which it
called heavenly, in the mire, and--far worse than the comparatively
innocent beasts of the field, that are driven by a blind instinct
without anything of volition--to deface and spoil everything which but
now it worshipt as holy. From this conflagration then shoot forth ever
and anon those disasterous sparks, which again grow into children, and
again awaken to the consciousness of woe, if not of sin. And so the
wheel goes evermore round and round, through a measureless viewless
eternity. And the charm, the beauty of the world! the fresh bloom of
its appearances! Is not everything here again grounded upon that which
nature teaches me to loathe and abhor? It is perhaps by this feeling
alone, as an invisible inward prompter, that I understand what people
mean by beauty. This, wheresoever it is found, in flower or tree, in
human being, animal, or plant, takes its rise always out of filth and
abominations. The lily and the rose falls to pieces in your hand, your
touch withers it, and it leaves only rottenness behind: the youth's,
the virgin's beauty and loveliness--look at it without any
self-imposed illusion, without the brutish sting of the senses--is
horrour and putridity and everything we revolt from! a few hours of
death, a corpse dug out of its tomb, make this woe manifest to
all.--And I myself! what is there within me but death? a ghost and a
skeleton! the stench of my own corpse haunts me; and in all my
feelings there is madness, in all my thoughts despair."
Public-domain text, read in full here on John Shaqi.
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