The Old Masters and Their Pictures, For the Use of Schools and Learners in ArtTytler, Sarah
History
The Old Masters and Their Pictures, For the Use of Schools and Learners in Art
Tytler, Sarah
Painters; Painting -- History
The old Italian cities. They were then the great merchant cities of the
world, more or less republican in their constitution. They stood to the
citizens, who rarely left their walls, at once as peculiar possessions
and as native countries rather than as cities alone, while they excited
all the patriotism, pride, and love that were elsewhere expended on a
whole country--which after all was held as belonging largely to its king
and nobles. The old Italian merchant guilds, and wealthy merchants as
individuals, vied with each other in signalizing their good citizenship
by presenting--as gifts identified with their names--to their cities,
those palace buildings, chapels, paintings, gates, which are the delight
of the world to this day. It was a merchant guild which thought happily
of giving to Florence the bronze gates to the baptistery of San Giovanni
or St John the Baptist, attached to the Cathedral. After some
competition the gates were intrusted to Andrea Pisano, one of a great
group of painters, sculptors, and architects linked together and named,
as so often happened in Italy, for their place of birth, Pisa. Andrea
executed a series of beautiful reliefs from the life of John the
Baptist, which were cast in 1330, gilt, and placed in the centre
door-way. I shall leave the rest of the gates, still more exquisitely
wrought, till their proper time, only observing that the Pisani group of
carvers and founders are supposed to have attained their extraordinary
superiority in skill and grace, even over such a painter as Giotto, in
consequence of one of them, Nicola Pisano, having given his attention to
the study of some ancient Greek sarcophagi preserved at Pisa.
Passing for a while from the gates of St John of Florence, we come back
to painting and a painter, and with them to another monument--in itself
very noble and curious in its mouldering age, of the old Italians' love
to their cities. Andrea Orcagna, otherwise known as Andrea di Cione, one
of a brotherhood of painters, was born in Florence about 1315. His
greatest works are in the Campo Santa of Pisa.
Public-domain text, read in full here on John Shaqi.
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