English drama -- To 1500; Mysteries and miracle-plays, English
“I’ll read it to you,” said the boy, remembering that his cousins knew
nothing of books. “The words of the pageant are here, and all the stage
directions, just as Robert Crowe, who wrote out the play for the
Plasterers, has copied them. This is what it says about the birds—_Then
one ought in secret to put little birds flying in the air and alighting
upon the_ _earth with the most foreign birds that one is able to
procure._”
“That’s all very well,” remarked Giles, closing the book; “but it’s
difficult. So they had to make pigeons do.”
“But they were so pretty!” Margery said. She did not mind talking for a
little while now, for there were no more painted scenes to look at, and
she scarcely understood the speech which followed the command for
“cattle and creeping things, and beasts of the earth” to come into
existence.
In a moment however, her attention was again arrested, for the curtains
were drawn, the pageant was pulled away, and, before it had disappeared,
a new one, the third, had come into sight.
“This is the _Cardmakers’_ play,” said Giles, consulting his pageant
book. “It is about God the Father creating Adam and Eve.”
“Cardmakers?” Margery asked, rather puzzled at the name. As a country
child she did not know all the trades of the town guilds.
“They are the people who make the cards for the wool to be combed on,
before it is made up into stuffs, you know,” Giles told her.
“Then comes the _Fullers’_ play,” he went on, reading from the book,
“God forbidding Adam and Eve to eat of the Tree of Life. Afterwards the
_Coopers_ do Adam and Eve in the Garden of Eden; and the serpent
deceiving them with apples; and God speaking to them and cursing the
serpent, and with a sword driving them out of Paradise.”
“Come, children! you must be hungry!” called Mistress Harpham at this
moment. “Come and have something to eat.”
Margery turned reluctantly from the window, where, on the scaffolding,
the third play was just beginning; and her aunt laughed.
“Bless the child! You can’t sit looking at the pageants all day without
food!” she exclaimed. “There are plenty more of ’em in all conscience.
Come along now. Giles will have to go when he’s eaten something. He must
soon be starting for his play.”
By this time all of the guests were seated at trestle-tables, which had
been placed at the back of the room and spread with all sorts of food.
There were huge joints, and fat capons, and plenty of ale, to which the
guests did ample justice.
Colin and Margery, with Giles between them, were squeezed in at one of
the tables, and soon discovered that they were very hungry. There was a
great clattering of plates and knives, and a babel of conversation. The
pageants already seen, were criticized, praised, or condemned, and
compared with those of the preceding year; and all the guests politely
declared how they were looking forward to the play of the
Parchment-makers and Bookbinders, the guild to which their host
belonged.
Public-domain text, read in full here on John Shaqi.
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