English drama -- To 1500; Mysteries and miracle-plays, English
“How is it that Giles is allowed to be here, and not with his company?”
inquired the grave but kind-looking man whom Giles had pointed out as
Matthew Gyseburn, the lawyer.
“The council gave him special permission to stay at home till the fifth
pageant was on its way,” explained his mother. “My husband is an
important man on the Town Council, as you know,” she added proudly. “And
you see, Giles isn’t a _paid_ player! He acts for the love of it—bless
him. And he’s none too strong,” she added, lowering her voice. “Those
hours of waiting would make him ill. But as soon as ever this Coopers’
pageant moves off, his father will take him to join his company and help
him to dress.”
“Are you going?” asked Margery sadly, as Giles got up from the table.
“I’m so sorry. There won’t be any one to tell us all about it now, and I
shan’t understand!”
“You shall sit by me, little mistress and master,” said the good-natured
lawyer, smiling. “I’ll do my best to make up for Giles. Here, boy! leave
me the ‘pageant-book,’ in case I’m asked more questions than I know how
to answer.”
Giles gave him the book, and, then anxiously pulling his father by the
arm, forced him to get up.
“So afraid he’ll be late!” cried Master Harpham, laughing. “There’s
heaps of time; but perhaps we’d better be starting.”
“Will you ever get through the crowd?” asked a woman anxiously.
“Oh, we know all the backways; don’t we, Giles? We shall slip along the
side-alleys in no time, up to where his pageant is waiting. See you
again, neighbours!” He nodded to the company, and, pushing Giles before
him, went out.
“May we go to the window now?” begged Margery, who could hear the
players talking, and was longing not to miss too many of the plays.
“To be sure, my dears, if you have had enough to eat,” said Mistress
Harpham.
The children ran to their places, and found the Coopers’ play going on.
This pageant, they noticed, had _three_ rooms or stages one beneath the
other. On the highest, or Heaven stage, sat God Almighty; beneath it, in
the Garden of Eden, were Adam and Eve; and the third, still lower stage,
represented Earth.
But the children’s attention was riveted on the second stage, round
which branches of trees and flowers were placed to represent a garden.
In the midst was the Tree of Life, with golden fruit upon it, and in the
shadow of the tree there was a strange group. Adam and Eve, both of whom
were played by tall boys dressed in close-fitting skins dyed
flesh-colour, were talking to a huge serpent who, coiled round the trunk
of the tree, was tempting them.
“There must be some one speaking inside him,” exclaimed Margery. “He’s
big enough to hide a boy at least—isn’t he?”
“Hush!” said Colin; “listen to what he’s saying.”
The serpent’s great head was turned towards Eve, and his voice was full
of persuasion. “Ye shall not surely die!” he told her; “for God doth
know that in the day ye eat thereof then your eyes shall be opened, and
ye shall be as gods, knowing good and evil.”
Public-domain text, read in full here on John Shaqi.
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