English drama -- To 1500; Mysteries and miracle-plays, English
Let us try to understand the reason for this. You remember that William
I conquered England in 1066—eight hundred years ago. Well, from the time
that he and his followers came to this country the English race has been
gradually growing into the nation to which we belong and into the sort
of people we see round us every day. Even the very poorest English
children nowadays go to school and can read and write. Children whose
parents are not so poor learn much besides reading and writing, and
thousands of the sons and daughters of rich or fairly well-to-do people
go to college, and spend years of their life in study. So that now, in
the twentieth century, English people are on the whole _educated_. But
it has taken a very long time to arrive at such a state of things as
this, and for hundreds of years after the Conquest, not only the poor,
but even the richer and quite rich people were ignorant. Very few men
except those who belonged to the Church studied at all. Thousands of the
rest could neither read nor write.
Now very naturally the Church considered that _religion_ at least must
in some way be taught and explained to these masses of ignorant folk.
Whatever else they knew, or did not know, it was necessary that they
should understand the faith they professed. They called themselves
Christians, yet how were people who could not read, to learn even the
Bible stories, or anything at all about the teaching of Christ?
“They might go to the churches,” you will say, perhaps, “where the Bible
would be read to them by the priests.” But _that_ would not do. For
remember that for hundreds of years after the Conquest the service was
always read in Latin, a language which very few people except lawyers,
priests, and scholars understood. No doubt, so far as they could, the
clergy privately explained the teaching of the Church to as many people
as they could reach. But thousands and thousands of them were never
reached privately at all. They just came to church on Sundays and on
Saints’ days, and went away without any real knowledge of what the
services meant.
It was a difficult problem, yet the monks and clergy conquered it. They
thought of a way of teaching for which no books were necessary. A way
moreover, by which hundreds of people could learn at the same time,
merely by using their eyes and their ears. The life of Christ, the lives
of the Saints, the whole Bible history, they discovered, could be
_shown_ to the people in the form of plays or acted stories. The clergy
should write the plays, they agreed, and the clergy themselves should
act them!
It was a clever idea, cleverly carried out. In various monasteries monks
began to write and to arrange such plays, to be acted in the churches on
special days, at special pauses in the service.
At first the religious scenes they prepared were very simple, and
performed chiefly in dumb show.
Public-domain text, read in full here on John Shaqi.
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