English drama -- To 1500; Mysteries and miracle-plays, English
Can you not imagine how the children gazed up through the gloom,
expecting to see the white-winged angels hovering down towards them? And
though the grown-up people knew that the music came from the singing
boys placed in a gallery high up over the windows, they too must have
felt that the message was a heavenly one, and many of them were filled
with awe. And now, when the beautiful voices were silent, the shepherds
began to crowd towards the altar. There, kneeling before the manger,
they adored the Baby and His Mother, and afterwards, walking in
procession through the church, past the watching crowd, they sang a hymn
of praise.
This was the scene which in numberless churches all over England took
place six hundred years ago on Christmas Eve, and even now a memory of
it dwells at Christmas-time in many churches.
Nearly every church in Roman Catholic countries gives up one of its
little chapels to a representation of the stable at Bethlehem. The
actors are no longer real, but figures of Joseph and Mary and the
shepherds take their place.
In Italy, the Christmas “manger scene” in the churches is often very
elaborate. I remember one in a church just outside Florence, before
which there was always a crowd of little children staring in delight.
The whole of a tiny chapel was turned into a sort of cave or grotto,
with winding paths from the heights, down which came figures to
represent the Wise Men from the East, with toy camels and leopards
following them. In the midst of the grotto there was a straw-filled
manger, and in it lay the Baby Jesus. The Virgin Mary with clasped hands
knelt beside it, and Joseph, leaning on his staff, looked over her
shoulder at the Child. A group of shepherds with crooks knelt near the
Holy Family, while their woolly toy flocks were huddled round them.
At Easter-time also, six hundred years ago, the people in England were
taught by means of acting that _Easter_ means the Resurrection of Christ
from the dead.
Before the altar, a grave was prepared, and at a certain part of the
service, choristers, representing the women who went to the sepulchre,
walked up the aisle, bearing the spices and the ointments. When they
arrived at the grave, they found seated beside it an angel, who said,
“Why seek ye the living among the dead? He is not here, but is risen.”
Then the story as it is told in the Bible went on, acted by the clergy,
till one of them, representing Christ Himself, appeared to the rest,
announcing that He had risen from the grave. At this point the whole
choir burst into songs of “Alleluia,” and the play ended.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account