Yet Assyria was a most remarkable power, and produced a number of really great rulers and generals. The Assyrian kings retained for a long time their dominion over fairly distant tracts, and made themselves greatly feared by all the nations around. As is well known, they had made great advances in the art of sculpture, so much so that visitors to the British Museum, on seeing the wonderful hunting-scenes in the Assyrian side-gallery, have been heard to express the opinion that Greek artists must either have originated them, or influenced their production. Their literature was naturally influenced by that of Babylonia, but one has only to read the historical records of Tiglath-pileser I., who declaims his successes in forceful and elegant paragraphs; Sennacherib, with his wealth of words; or Assur-banî-âpli, who in moderate and elegant phrases tells of the successes of his soldiers and generals, to see that, when occasion arose, they could produce literary works as good as the best of ancient times. It will probably be a matter of regret to many people, but the name of Nimrod, which we have been accustomed to associate with the pleasures and perils of the chase for so many hundred years, must now be relegated to the domain of words misunderstood or purposely changed for reasons that can without much difficulty be divined. It is not Nimrod alone that comes under this category—Nibhaz (2 Kings xvii. 31), judging from the Greek, is in the same case, Nisroch (2 Kings xix. 37) is certainly so, and Abed-nego for Abed-nebo is a well-known instance. But why, it will be asked, should these names have been intentionally changed? The answer is simple. All these names were, or contained, the names of heathen deities, and this offended the strongly monotheistic Hebrew scribe who, at a certain period, was copying the portions of the Hebrew Bible in which they occur, so he defaced them, adding or changing a letter, and thus making them unrecognizable, and in all probability ridiculous as well. A different punctuation (vowelling) completed the work, and the names were then in such a form that pious and orthodox lips could pronounce them without fear of defilement. Nibhaz is probably for some such name as Aba-hazar, Nisroch is for Assur or Assuraku, and Nimrod is, by similar changes, for Amaruduk or Amarudu (original Akkadian), Maruduk or Marduk (Assyro-Babylonian). The change was brought about by making the root triliteral, and the ending _uk_ (_ak_ in Merodach-baladan) disappearing first, Marduk appeared as Marad. This was connected with the root Marad, “to be rebellious,” and the word was still further mutilated, or, rather, deformed by having a (_ni_) attached, assimilating it to a certain extent to the “niphal forms” of the Hebrew verbs, and making a change altogether in conformity with the genius of the Hebrew language. This alteration is also clearly visible in Nibhaz and Nisroch, which fully confirm the explanation here given.