The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
“But after that you came back,” she cried, “and Terry can’t go back with
me; we thrashed that out in the beginning, for even Uncle Sandy said
there was no opening for a lawyer in a grazing country, because every
one settles their own disputes quick, unless they are big enough for the
government to butt in, and anyway a lawyer isn’t popular. Well, at last,
thank God, I’ve found some one to understand it, some one who has lived
through that feeling that pulls you back to where you started.” And Mrs.
Terry, clasping her arms around my neck, fell to crying, not
passionately, but comfortably, that blessed outlet that Nature has given
us women in compensation for much pain we may not avoid.
Gradually the sobs stopped, she was asleep. So, laying her carefully
back on the pillows and covering her with an old afghan, I left her to
the dreams bred by the singing of the firewood accompanied by a little,
whistling snore from Peter, the old hound.
* * * * *
The morning of the sale at the Dearborn farm was mild, as though March
was preparing to go out like a lamb that scented green pastures. Two
days of rain had washed the snow from the open places, and though the
roads ran mud, yet it was the mud of promise.
We made an early start, that Mrs. Terry might have a chance to see the
few bits of old furniture likely to attract one who had no association
with the family or place; for the Dearborns were of the plain Yankee
stock that, aside from a few heirlooms kept most of the time behind
drawn blinds, had furnishings of the plainest sort. There was a good
tall clock with a ship atop of the pendulum sailing toward a port it
never reached, a handsome claw-footed table of mahogany, a chest of
drawers, and a dozen chairs of the same wood, patterned diversely, a
four-post bed, carved with some skill, a Davenport sofa with carved
ends, a hooded cradle, a low-boy, and a work table with heavy brass
handles. The silver table ware, worn thin by use, was of a slender
pattern, the ends of the handles of spoons and forks being abruptly
angled; while of china, outside of the modern ware in daily use, there
was a tea-set of Lowestoft with its odd small-necked tea-caddy and
helmet cream-pitcher, and a more complete service of blue and white
India porcelain.
A bevy of neighbours and one or two dealers, including old Pop Tucker,
were buzzing about these things, but what seemed to attract Mrs. Terry
far more, were the pitiful little personal articles that belonged
intimately to the life of Sallie Dearborn, and that she had never
doubted would pass either to her own kin, or, if worthless, be destroyed
instead of being exposed for criticism and sale, as the law ordains in
the settling of an estate where no friendly hand intervenes.
Public-domain text, read in full here on John Shaqi.
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