I accepted this reproof and the accompanying verdict with becoming meekness. I remember that when we first went to house-keeping Poultney Briggs was in the van of artistic progress, and that no one was to be mentioned in the same breath with him; yet now, apparently, he was of the sere-and-yellow-leaf order, professionally speaking. And I was old fogy enough not to have been aware of it. Clearly, I was not fit to be entrusted with the selection of even a door-mat, to say nothing of the wall-papers and carpets. It was with a thankful heart over my foresight that I relinquished to Josephine the whole task of furnishing, with the sole reservation that I should have my say about the wine-cellar. My only revenge, a miserable one forsooth, was that she resembled a skeleton three months later; a pale, pitiful bag of bones, though proud and radiant withal. Had it not been for that prediction that her life was to be lengthened, I should have felt anxious. What a marvellous creation a woman is, to be sure! Man and philosopher as I am, my impulse would have been to consign the contents of the garret to the auctioneer or the ash-man, and to retain most of the least-used furniture and upholstery to eke out our new splendor. But Josephine's method was distinctly opposite. She was critical of nearly everything respectable-looking in the old house; on the other hand, there was scarcely anything in the attic or lumber-room, where our useless things were stored, which did not turn out to be a treasure and just the thing for the new establishment. To begin with, there was a love of a set of andirons and a brass fender (to reproduce Josephine's description exactly), which had been discarded at the time we began housekeeping as too old-fashioned and peculiar. Of equal import was a disreputable-looking mahogany desk with brass handles and claw feet which had belonged to my great-grandmother before it was banished to the garret within a month after our wedding ceremony, on the plea that none of the drawers would work. They don't still, for that matter. A cumbersome, stately Dutch clock and a toast-rack of what Josephine styled medieval pattern, were among the other discoveries. The latter was reposing in a soap-box in company with a battered, vulgar nutmeg-grater. But the pieces of resistance, as I called them, on account of the difficulty we had in moving them from behind a pile of old window-blinds, were the portraits of a little gentleman in small-clothes, with his hair in a cue and a seeming cast in one eye, and a stout lady with a high complexion and corkscrew ringlets. "Oh, Fred, who are they?" cried Josephine, ecstatically, and she began to dust the seedy, frameless canvases with a reverential air. "Where did they come from?" "They're ancestors of mine, love." "Ancestors? How lovely, Fred! I didn't know you had any. I mean I didn't know you had any who had their portraits painted."