"On the contrary, Josephine, I told you who they were when we were
engaged, and I remember I was rather anxious to hang them in the
dining-room, but you said they were a pair of old frumps, and that you
wouldn't give them house space. So we compromised on the attic."
"Did I?" said my darling, gravely. "Well it must have been because the
dining-room was too small for them. They will look delightfully in our
new one, when they are mounted and touched up a bit, and they will set
off our Copley of my great-aunt in the turban. What are their names?
They must have names."
"They are my great-grandfather Plunkett and his wife, on my father's
side. He was a common hangman."
"Now don't be idiotic, Fred."
"He was, my dear. It was you yourself who said it. Don't you remember
my calling two of your forbears a precious pair of donkeys because they
wouldn't eat any form of shell-fish, and your replying that, though I
was in the habit of grandiloquently describing my ancestor who used to
execute people as 'the sheriff of the county,' he was only a common
hangman?"
"Oh, was that the man? All I said was that if he had been _my_
ancestor instead of yours, you would have called him a hangman. He
_was_ sheriff of the county, wasn't he, dear?"
"So I have been taught to believe."
"'My ancestor, the high sheriff,' won't sound badly at all," she said,
jauntily.
"Especially if we can tone up the old gentleman's game eye a little."
Josephine's face expressed open admiration. "You are a genius and a
duck," she exclaimed; then, after a reflective pause, she murmured,
"Very likely he met with an accident just before he was painted."
"Yes, dear. Consequently, if the eye can't be improved by means of the
best modern artistic talent, the least we can do is to put a shade over
it."
This waggish remark seemed to be lost on Josephine. She wore a
far-away look as though her thoughts were following some fancy which
had appealed to her. She did not deign to take me into her confidence
at the moment, but a fortnight later I happened to come upon her in
close confabulation with a very clever, rising, local artist, over this
same portrait of my great-grandfather Plunkett.
"Fred," she said, nonchalantly, "Mr. Binkey thinks he can do something
to this which will improve it."
"I shouldn't suppose that it was easy to improve upon nature," I
remarked, oracularly.
Josephine blushed a little, but she replied, with sturdy decision, "Oh,
but he never could have looked like that. His eyes must have been
alike, Fred. Mustn't they, Mr. Binkey?"
"I should imagine," said our rising local artist, with a meditative
squint at the picture, "that the fault was in the technique rather than
in the subject-matter of the portrait."
"Precisely," said Josephine, triumphantly. "Besides, Mr. Binkey says
it needs varnishing."
Public-domain text, read in full here on John Shaqi.
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