London (England) -- History -- 18th century -- Fiction
'Not too poor,' said his wife gently. Indeed her poor shabby dress
showed what she meant.
'Peace, woman. He shall be poor, I say. Happy lad! He shall be poor. He
shall never have money in a stocking, and he shall never want any. He
shall live like the sparrows, from day to day, fed by the bounty of the
Lord.'
'Who loveth the Dog and Duck,' said his wife.
The husband frowned. 'To sum up, Will, thy lot shall be the happiest
that the world can give. What?' He lifted his hand and his eyes grew
brighter. 'For the musician the curse of labour is remitted: for him
there is no longing after riches: for him there is no flattery of great
men: for him there is no meanness; for him there are no base arts: for
him there is no wriggling: for him there are no back stairs: for him
there is no patron.--In a word, Will, the musician is the only free man
in the world.'
'In the Rules, you mean, my dear.' This was his wife's correction.
'Will,' said Alice, 'shall you really become like Tom?'
'Truly, Alice, if I can.'
'Wife,' said Tom. 'Will shall stay with us. He can sleep in the garret.
We must find a mattress somewhere.'
'Nay, but I must pay my footing. See, Tom. I have five guineas.' I
showed this mine of wealth. He took one and gave it to his wife.
'Aha!' he laughed. 'Buy him a mattress and a blanket, wife. And this
evening we will have a bowl of punch. Will, we shall fare like Kings and
like the Great ones of the Earth.'
CHAPTER III
A WAY TO LIVE
I think that Tom Shirley was the most good-natured man in the whole
world: the most ready to do anything he could for anybody: always
cheerful: always happy: partly, I suppose, because he looked at
everything through spectacles of imagination. He joined, however, to his
passion for music another which belonged to a lower world: namely, for
punch. Yet he was not an intemperate man: he showed neither purple
cheeks, nor a double chin, nor a swollen neck, nor a rubicund nose--all
of which were common sights on Change and in the streets of London. The
reason why he displayed no signs of drink was that he could seldom
gratify his passion for punch by reason of his poverty, and that in
eating, which, I believe, also contributes its share to the puffing out
of the neck and the painting of the nose, such as may be seen on Change,
he was always as moderate, although he thought every meal a feast, as
became his slender means.
I do not know how he got into the King's Bench, but the thing is so easy
that one marvels that so many are able to keep out. They put him in and
kept him there for a time, when he was enabled to obtain the privilege
of the Rules. He was, as he boasted, always rich, because he thought he
was rich. His wife took from him, every week, the whole of his wages,
otherwise he would have given them away.
Public-domain text, read in full here on John Shaqi.
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