London (England) -- History -- 18th century -- Fiction
'But gradually--little by little. One would never expect it all at
once.'
'Ay, there we talk sense. But first, why hath Sir Peter behaved with
this (apparent) harshness? I would not judge him hastily. Therefore I
say, apparent.'
'Because he found out at last--my cousin Matthew told him--that I came
here to play the fiddle. So he gave me the choice--either to give up the
counting-house or to give up the music. And I gave up the
counting-house, Tom. I don't care what happens so that I get out of the
counting-house.'
'Good--lad--good.'
'And I drubbed my cousin--I paid him with his own stick. And here I am.'
He took my hand, his honest face beaming with satisfaction. At that
moment, his sister Alice came back from making some purchases in the
Borough High Street. 'Alice my dear,' he said, 'Will has been turned out
of house and home by his father--sent out into the streets without a
penny.'
Alice burst into tears.
When I think of Alice at that moment, my heart swells, my eyes grow
humid. She was then fifteen, an age when the child and the woman meet,
and one knows not whether to expect the one or the other. When Alice
burst into tears it was the child who wept: she had always loved me with
a childish unconsciousness: she was only beginning to understand that I
was not her brother.
You know how sweet a flower will sometimes spring up in the most
unlovely spot. Well: in this place, close to the Dog and Duck, with
prodigals and rakes and painted Jezebels always before her eyes, this
child grew up sweet and tender and white as the snow. I have never known
any girl upon whom the continual sight--not to be concealed--of gross
vice produced so little effect: it was as if the eyes of her soul
involuntarily closed to the meaning of such things. Such sweetness, such
purity, was stamped upon her face then as afterwards. Never, surely, was
there a face that showed so plain and clear to read that the thoughts
behind it were not earthly or common.
'It is the soul of music that possesses her,' said her brother once.
'She has imbibed that soul day by day. Will, 'tis a saintly child.
Sometimes I fear that she may be carried away like Elijah.'
Well, when I saw those tears, I was seized with a kind of joyful
compassion and, so to speak, happy shame, to think that those tears were
for me. I drew her gently and kissed her.
'Why, nothing better could have happened to him. Thou little simpleton,'
said her brother. Warming up with his subject, he became eloquent. 'He
shall do much better--far better--than if he had stayed in the
counting-house. He shall not be weighed down with a load of riches: he
shall have to work in order to live--believe me, Will, Art must be
forced by necessity: where there is no necessity there is no Art: when
riches creep in, Art becomes a toy. Because he must work, therefore he
will be stimulated to do great things. He shall never set his mind upon
growing rich: he shall remain poor.'
Public-domain text, read in full here on John Shaqi.
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