The Ordeal: A Mountain Romance of Tennessee — John Shaqi
The Ordeal: A Mountain Romance of TennesseeCraddock, Charles Egbert
General
The Ordeal: A Mountain Romance of Tennessee
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Fiction
Languid now, preoccupied, Lillian ascended the long flight of steps to
the piazza and paused to look out at the great spread of the landscape,
wreathed in flying mists and of a different aspect from this increase of
elevation. She had begun to stroll aimlessly along in the possession of
the seclusion she craved, when she suddenly noted the fact that the front
door stood a trifle ajar. She paused with a repugnant sense of a lapse of
caution. Then she reflected that bolts and locks could add but little
security in a desert solitude like this, where a marauder might work his
will from September to June with no witnesses but the clouds and winds to
hinder. She had forgotten the insistent declaration of Gladys that she
had seen a light flicker from these blank windows the preceding night.
Indeed, even at the time she had accounted it but the hysteric adjunct of
their panic in the illusion of a stealthy step on the veranda of the
bungalow. She was animated only by the simplest impulse of idle curiosity
when she laid her hand on the bolt. The big door swung open at once on
well-oiled hinges, and she found herself in the spacious hotel office, on
one side of which were the clerk's desk and the office clock, looking
queerly disconsolate without the loitering groups of humanity wont to
congregate about the counter. The day glared garishly through the great
skylight on the dusty interior; the big windows held expansive sections
of mountain landscape, bronze, blue, and scarlet, like vivid paintings in
frames. A staircase of fine and stately proportions descended from the
lofty reach of the upper story, dividing into two sweeping flights from
the landing. A massive mantel-piece was on the opposite side, with an
immense fireplace, and heavy brass andirons and fender. She was a
stranger to the interior of the place, for her visit to the locality
began after the closing of the hotel, but though she looked about with a
vague sub-current of interest as she sauntered through the building, glad
of any pretext to prolong her absence from the bungalow, her mind was
really introverted.
She felt that she could never forgive herself her part in the scene of
the morning, that wild, impulsive cry that voiced at once confession and
a plea for pardon. At the sheer recollection of his rejoinder she tingled
and winced as from the touch of fire. "Don't mention it," quotha. And
they neither had aught to regret--he was sure of that, forsooth! Regret!
It was only another name for her life. There was nothing but regret,
night and day, sleeping and waking. But oh, how could she have said the
words! What was it to him? He cared naught for her now and her
cruelties--an old, old story to him, to be sure, told to the end, the
pages shut. And she must needs seem to seek to turn the leaf anew! What
else indeed could he think? Surely she had been beguiled by Gladys'
vicarious sentimentality as to the lure of his coming, even while she had
flouted the possibility.
Public-domain text, read in full here on John Shaqi.
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