The Ordeal: A Mountain Romance of TennesseeCraddock, Charles Egbert
General
The Ordeal: A Mountain Romance of Tennessee
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Fiction
Suddenly--a sound! It broke upon her absorption so abruptly that in an
instant every muscle was adjusted for flight, though she paused and
looked fearfully over her shoulder. Only an echo, she told her plunging
heart--an echo of her own footfalls in the resonant emptiness of the
deserted place. She had wandered down a long corridor, from which doors
opened only on one side into the big bare dining-room, the chairs all
ranged on the tops of the many round tables, standing at equidistant
intervals. An echo--doubtless that was all. She upbraided herself to have
sustained so sudden and causeless a fright. Her heart was beating like a
trip-hammer. It seemed to fill all the building with the wild iteration
of its pulsations. As she sought to reassure herself, she remembered that
in a cross-hall she had noted the telephone, the wire still intact, as
she knew, for the connection of the hotel was with that of the bungalow
on a party-line of the exchange at Shaftesville, twenty miles away. If
she should be really frightened, she could in one moment call up the
house across the ravine.
The next instant she was almost palsied with recurrent terror: the
footfall, stealthy, shuffling, weighty, sounded again. It was never the
echo of her own deft, light step! A distinct, sibilant whisper suddenly
hissed with warning throughout the place, and as she turned with the
instinct of flight she caught a glimpse in the darkling mirror across the
dining-room of a fugitive speeding figure, then another, and still
another, all frantically, noiselessly fleeing--why or whom, she could not
descry, she did not try to discriminate.
Without a word or a sound--her voice had deserted her--she turned
precipitately and fled in the opposite direction through the corridor,
down a cross-hall, and burst out of a side door upon a porch that was the
nearest outlet from the building. This porch was less intended as an
exit, however, than an outlook. True, there were steps that led down at
one side to the ground, but the descent thence was so steep, so rugged
and impracticable, that obviously no scheme of utility had prompted its
construction. Jagged outcropping ledges, a chaos of scattered boulders,
now and again a precipitous verge showing a vertical section of the
denuded strata, all formed a slant so precarious and steep that with the
sharp sound of the door, closing on its spring, Bayne looked up from his
seat in the swing on the veranda across the ravine in blank amazement to
see her there essaying the descent, as if in preference to an exit by the
safe and easy method of the winding road at the front of the edifice.
Public-domain text, read in full here on John Shaqi.
The Ordeal: A Mountain Romance of Tennessee — John Shaqi
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