The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
General
The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
Richard learnt the news. He took it with surprising outward calm,
only getting a little closer to Cassandra's neck, and looking very
hard at Tom without seeing a speck of him, which had the effect on
Tom of making him sincerely wish his master would punch his head at
once rather than fix him in that owl-like way.
"Go on!" said Richard, huskily. "Yes? She's gone! Well?"
Tom was brought to understand he must make the most of trifles, and
recited how he had heard from a female domestic at Belthorpe of the
name of Davenport, formerly known to him, that the young lady never
slept a wink from the hour she knew she was going, but sat up in her
bed till morning crying most pitifully, though she never complained.
Hereat the tears unconsciously streamed down Richard's cheeks. Tom
said he had tried to see her, but Mr. Adrian kept him at work,
ciphering at a terrible sum--that and nothing else all day! saying,
it was to please his young master on his return. "Likewise something
in Lat'n," added Tom. "Nom'tive Mouser!--'nough to make ye mad,
sir!" he exclaimed with pathos. The wretch had been put to acquire a
Latin declension.
Tom saw her on the morning she went away, he said: she was very
sorrowful-looking, and nodded kindly to him as she passed in the fly
along with young Tom Blaize. "She have got uncommon kind eyes, sir,"
said Tom, "and cryin' don't spoil them." For which his hand was
wrenched.
Tom had no more to tell, save that, in rounding the road, the young
lady had hung out her hand, and seemed to move it forward and back,
as much as to say, Good-bye, Tom! "And though she couldn't see me,"
said Tom, "I took off my hat. I did take it so kind of her to think
of a chap like me." He was at high-pressure sentiment--what with his
education for a hero and his master's love-stricken state.
"You saw no more of her, Tom?"
"No, sir. That was the last!"
"That was the last you saw of her, Tom?"
"Well, sir, I saw nothin' more."
"And so she went out of sight!"
"Clean gone, that she were, sir."
"Why did they take her away? what have they done with her? where
have they taken her to?"
These red-hot questionings were addressed to the universal heaven
rather than to Tom.
"Why didn't she write?" they were resumed. "Why did she leave? She's
mine. She belongs to me! Who dared take her away? Why did she leave
without writing?----Tom!"
"Yes, sir," said the well-drilled recruit, dressing himself up to
the word of command. He expected a variation of the theme from the
change of tone with which his name had been pronounced, but it was
again, "Where have they taken her to?" and this was even more
perplexing to Tom than his hard sum in arithmetic had been. He could
only draw down the corners of his mouth hard, and glance up queerly.
"She _had_ been crying--you saw that, Tom?"
"No mistake about that, Mr. Richard. Cryin' all night and all day, I
sh'd say."
"And she was crying when you saw her?"
"She look'd as if she'd just done for a moment, sir."
Public-domain text, read in full here on John Shaqi.
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