The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
[242] Cf. Kingsley, _Travels_, p. 473. On the difficulty of deciding
whether a given piece of sculpture is to be interpreted as an idol
or as a merely memorial portrait, see Brinton, _Report upon the
Collections_, etc., p. 33.
[243] Schweinfurth, _Artes Africanæ_, pl. viii. f. 5; Cruickshank,
_Eighteen Years on the Gold Coast_, ii. pp. 270, 271; Schmeltz,
_Ethnol. Abtheil. des Mus. Godeffroy_, p. 241.
[244] Codrington, _The Melanesians_, pp. 173, 174. The same views have
been expressed by Finsch, _Ethnologische Erfahrungen_, pp. 255-257;
_Samoafahrten_, pp. 47-49, 75, 175.
[245] Polack, _New Zealand_, i. pp. 115, 116, 236, 237; Robley, _Moko_,
pp. 88 _sq._ Cf. about “Moko”-tattooing as a means of recognising
individuals, living or dead, Robley, _l.c._ pp. 131, 146, 147, 159.
[246] Andree, _Ethnographische Parallelen_, i. pp. 258-261. The remarks
of Herr Andree have been emphatically supported by von den Steinen,
_Unter den Naturvölkern Central Brasiliens_, p. 244; cf. also Hoffman,
_Ethnographic Observations_, in U.S. Geol. and Geogr. Survey, 1876,
especially p. 475.
[247] Im Thurn, _Indians of Guiana_, pp. 403-410. On similar grounds
the application of Herr Andree’s theory to the North American
Petroglyphs has been opposed by Mallery, in _Rep. Bur. Ethnol._ x. pp.
28, 29 (“Picture-writing of the American Indians”).
[248] Svoboda, in _Archiv für Ethnographie_, v. pp. 162, 163. Cf. also
Meyer, _Bilderschriften des Ostindischen Archipels_, p. 1.
[249] Cf. Grey, _Journals_, ii. p. 310.
[250] As typical illustrations of this class of legends we may instance
the Polynesian poems quoted by Fornander, _The Polynesian Race_, ii.
12-19, 284-286.
[251] Cf. pp. 160, 161, in the preceding, and Gill, _From Darkness to
Light_, pp. 248-264.
[252] See Ellis, _Polynesian Researches_, i. p. 286; iv. pp. 79, 101,
105; Pritchard, _Polynesian Reminiscences_, p. 125; Polack, _New
Zealanders_, ii. p. 167; and, above all, the collection of traditional
war-poetry from the Hervey Group, published by Gill in _From Darkness
to Light_.
[253] Cf. above, p. 165.
[254] Oviedo, _Histoire des Indes_, pp. 69, 70; Markham, in the
Introduction to his translation of _Ollanta_, pp. 1, 2; Spencer,
_Descr. Soc._ ii. pp. 13, 68, 70, 71; Forbes, _Dahomey_, ii. p. 13. On
historical songs among the military tribes of Africa cf. also Shooter,
_The Kafirs_, p. 268; Burton, _Lake Regions_, i. p. 263 (Wagogos).
As regards the influence of war on early Arab poetry see Posnett,
_Comparative Literature_, p. 133.
[255] Cf. _e.g._ the humble traditions of the Kubus, as quoted by
Forbes, _Wanderings_, p. 243.
[256] Laing, _Travels_, p. 186 (Village Kamia); Dobrizhoffer, _The
Abipones_, ii. pp. 430, 431.
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